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For season two, I was going to keep pushing through. No matter what adversity I faced, I was going to keep going. When season two qualifying started, Evans had moved to Louisville to tend to her mother, who had suffered an ankle injury. Her mom constantly found her playing video games early in the morning. To compete for a roster spot in the league, hopefuls have to pick a position. Evans, a former small forward, plays as one in 2K.

She plays much like she did on the court, before her injury stunted her athletic future. An efficient shooter. A good rebounder. Engaged defender. Selfless teammate.

After I was done with that game, I forgot about him. It was on to the next game.

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The support of other women in the 2k community who have fostered a supportive environment for each other helped her focus. On Jan. Brianna Novin joined her as the only other woman. Days before the draft, her mom could barely contain her enthusiasm. Evans is the first woman selected in the esports league. Then the second round went by. X were brought on to collaborate with producer on the post-production junctures of Tron: Legacy. The sequences on the Grid were wholly shot in 3D , utilizing cameras specifically designed for it, and employed a 3D technique that combined other special effects techniques.

Bailey stated that it was a challenge shooting Tron: Legacy in 3D because the cameras were bigger and heavier, and variations needed to be taken into account. That is not interference or a production fault, but indicates that that sequence is a flashback and to simulate an older form of video representation technology. Stunt work on the film was designed and coordinated by 87Eleven, who also designed and trained fight sequences for and Watchmen. In defining his method for creating Tron: Legacy , Kosinski declared that his main objective was to "make it feel real," adding that he wanted the audience to feel like filming actually occurred in the fictional universe.

As the design team considered the lights a major part of the Tron look, particularly for being set in a dark world—described by effects art director Ben Procter as "dark silhouetted objects dipped in an atmosphere with clouds in-between, in a kind of Japanese landscape painting " where "the self-lighting of the objects is the main light source"—lighting was spread through every prop on the set, including the floor in Flynn's hideout. The skintight suits worn by the actors were reminiscent of the outfits worn by the actors in the original film.

Christine Bieselin Clark worked with Michael Wilkinson in designing the lighted costumes, which used electroluminescent lamps derived from a flexible polymer film and featured hexagonal patterns. To concoct a color, a transparent 3M Vinyl film was applied onto the phosphor prior to lamination.

The actors had to be compressed to compensate for the bulk of the electronics. The two sought influence from various fashion and shoe designers in building the costumes.

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It was attached to the suit via a magnet, and was radio-controlled. We would look over each other's shoulders to find inspiration from one another. The development of the costumes came from trying to develop the form language which came from within the film. The majority of the suits were designed using ZBrush. With a computer numerical cutting CNC of dense foam, a small scale output would be created to perfect fine details before initiating construction of the suit. Upon downloading the participant's body scan, the illustrations were overlaid to provide an output manufacturing element.

This would go onto the hard form; it would go inside the mould which was silicon matrix. We would put those together and then inject foam into the negative space. The wiring harness is embedded into the mould and you get a torso. We then paint it and that's your finished suit.

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During one of the Tron: Legacy panels, the crowd was given instruction via a large video screen while techs from Skywalker Sound recorded the performance. The audience performed chants and stomping effects similar to what is heard in modern sports arenas. It took two years and ten companies to create the 1, visual effects shots of Tron: Legacy. The majority of the effects were done by Digital Domain , who created shots under supervisor Eric Barba.

Similar to Tron , this approach was seen as pushing the boundaries of modern technology. Levy translated Kosinski's ideas into drawings and other visual designs. Gilford suggested that there were between sixty and seventy settings in the film, split up into fifteen fully constructed sets with different levels of computer-created landscapes. Rather than utilizing makeup tactics, such as the ones used in A Beautiful Mind , to give Jeff Bridges a younger appearance, the character of Clu was completely computer generated.

To show that this version of Clu was created some time after the events of the original film, the visual effects artists based his appearance on how Bridges looked in Against All Odds , released two years after Tron. But soon, they scrapped the mould because they wished for it to be more youthful. There was no time to make another mould, so the team reconstructed it digitally. Reardon's head was replaced on post-production with the digital version of the young Bridges. Bridges called the experience surreal and said it was "Just like the first Tron , but for real!

The French electronic group Daft Punk composed the film score of Tron: Legacy , [65] which features over 30 tracks. They were again approached by Kosinski, eventually agreeing to take part in the film a year later. The soundtrack started being composed before production had even begun, [69] and is a notable departure from the band's previous works, as Daft Punk put more emphasis on orchestral elements rather than relying solely on synthesizers.

We knew from the start that there was no way that we were going to do this film score with two synthesizers and a drum machine. On July 21, , several film-related websites posted they had received via mail a pair of "Flynn's Arcade" tokens along with a flash drive. Four of them were put together and part of the code was cracked, revealing the URL to Flynnlives. Within the Terms of Use Section, an address was found.

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It lies in San Diego, California, USA near the city's convention center where the Comic-Con took place and some footage and information on the sequel was released. Flynn's Arcade was re-opened at that location, with several Space Paranoids arcade machines and a variety of '80s video games. A full-size light cycle from the new film was on display. A ninth viral site, homeoftron. It portrays some of the history of Flynn's Arcade as well as a fan memoir section. At the Walt Disney World Resort in Florida, one monorail train was decorated with special artwork depicting lightcycles with trailing beams of light, along with the film's logo.

This Tron -themed monorail, formerly the "Coral" monorail, was renamed the "Tronorail" and unveiled in March On October 29, , the nighttime show World of Color at Disney California Adventure Park began soft-openings after its second show of a Tron: Legacy -themed encore using a Daft Punk music piece titled "The Game Has Changed" from the film soundtrack, using new effects and projections on Paradise Pier attractions.

The encore officially premiered on November 1, The black painted room not only consisted of life sized Tron city graphics but glowing blue line graphics on the walls, floor and furniture, a desk with glowing red lit Recognizers for the legs and a Tron suit inspired desk chair, a Lightcycle shaped chair with blue lighting accents, projection mural system that projects Tron imagery on a glass wall partition, laptop computer, flat panel television, several Tron Legacy action figures, a daybed in black and shimmering dark blue and blue overhead lit panels.

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The suite uses electroluminescent wire to capture the art style of the film. It consists of over 60 square meters of mm thick ice equating to approximately six tons. The Ice Hotel is expected to get 60, visitors for the season which lasts December through April The shop featured many of the collaborative products created as tie ins with the film from brands such as Oakley, Hurley and Adidas.

The space was decorated in theme and the adjacent cafe had a tie in menu with Tron inspired dishes. The shop remained open until December 23, Electronics and toy lines inspired by the film were released during Fall A tie-in video game, entitled Tron: Evolution , was released on November 25, Teaser trailers were released in November , while a longer trailer was shown during the Spike Video Game Awards on December 12, IGN reviewed the comic and gave it a "passable" score of 6.

The tickets for this event were sold out within an hour on October 8. Stand-by tickets for the event were also sold shortly before the presentation started. Original merchandise from the film was also available for sale. The film was originally set to be released in the UK on December 26, , but was brought forward due to high demand. The film was also released with D-BOX motion code in select theaters and released in 50 Iosono -enhanced cinemas, creating "3D sound.

On December 10, , in Toronto, Ontario , Canada, a special premiere was hosted by George Stroumboulopoulos organised through Twitter , open to the first people who showed up at the CN Tower. After the film ended the tower was lit up blue to mirror The Grid. Free "Flynn Lives" pins were handed out to the attendees. The announcement of the free screenings was made on the official Flynn Lives Facebook page.

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A five-disk box set featuring both Tron films was also released, with one, entitled The Ultimate Tron Experience , having a collectible packaging resembling an identity disk. A preview of the part animated series Tron: Uprising is included in all versions of the home media release.

Tron: Legacy was the second Walt Disney Studios Home Entertainment release that included Disney Second Screen , a feature accessible via a computer or iPad app download that provides additional content as the user views the film. Upon its release, the film received mixed reviews from film critics, who praised the visual effects, production design, and soundtrack , but criticized the character development, cast performance and story.

Attaining a mean score of 5. The visual effects were cited as the central highlight of the film. In his three-star review, Roger Ebert of the Chicago Sun-Times felt that the environment was aesthetically pleasing, and added that its score displayed an "electronic force" that complemented the visuals. Hoberman of The Village Voice noted that while it was extensively enhanced, Tron: Legacy retained the streamlined visuals that were seen in its predecessor, [] while Variety 's Peter DeBarge affirmed that the visuals and the accompanied "cutting-edge" score made for a "stunning virtual ride.

Manohla Dargis of The New York Times avouched that despite its occasional notability, the film's "vibrating kaleidoscopic colors that gave the first movie its visual punch have been replaced by a monotonous palette of glassy black and blue and sunbursts of orange and yellow. The performances of various cast members was frequently mentioned in the critiques. Michael Sheen's portrayal of Castor was particularly acclaimed by commentators, who—because of his flamboyance—drew parallels to the English singer-songwriter David Bowie , [] [] [] [] as well as fictional characters such as A Clockwork Orange lead character Alex.

The film received "a little boost from" Wilde, according to Rickey. If he can't be thrilled, why should we? Critics were divided with the character development and the storylines in Tron: Legacy. Writing for The New Yorker , Bruce Jones commented that the audience didn't connect with the characters, as they were lacking emotion and substance. I confess I may have snoozed through one or two climactic battles only to be startled awake by an incoming neon Frisbee.

Steven Lisberger stated on October 28, , before the film's release, that a sequel was in planning and that Adam Horowitz and Edward Kitsis, screenwriters for Tron: Legacy , were in the early stages of producing a script for the new film. Once we get a script we're all really happy with, we'll take it to the powers that be and see if we can go back to the grid. I think we will pick up with where Tron: Legacy left off with Sam and Quorra in the real world and what does that mean and the possibilities it opens up for the next chapter. It's that relationship between the two of them that's the next step.

Legacy screenwriters Adam Horowitz and Edward Kitsis were initially slated to return, but were forced to drop out due to their ongoing work in developing the ABC television series Once Upon a Time. It is currently unspecified whether or not Legacy director Joseph Kosinski will return to direct the sequel. So I can't say if and when that would go into production but the fundamental idea of the movie is something I'm very excited about, it delivers on the ideas that we set up in Legacy, especially at the end in the last five minutes, so that one is a work in progress.

On January 15, , Bruce Boxleitner stated in an interview: "All I know is, they don't tell me anything, but they want to do it I would say probably the end of this year, for maybe," Boxleitner said. That's the beginning of the next one. That's foreshadowing. In March , it was revealed that Disney had greenlit the third film with Hedlund reprising his role as Sam and Kosinski returning to direct the sequel. Wilde was revealed in April to be returning as Quorra. Filming was expected to start in Vancouver in October While expressing the opinion that Disney decided to "play it safe" and explore other properties, Boxleitner said that this broke his interest in continuing with the franchise, as "it's been too up and down for me.

I would rather not just keep going. I don't want to repeat my career anymore. In August , former Disney development executive Brigham Taylor told ScreenRant that "there's obviously been conversations," referring to the possibility of a sequel. From Wikipedia, the free encyclopedia. This article is about the film. For the soundtrack album, see Tron: Legacy soundtrack. Theatrical release poster. Edward Kitsis Adam Horowitz.

We grew up on it. It informed us. It really helped shape us and get us excited about the possibilities of technology and film and all that stuff. It's one of the reasons we're doing what we're doing — so in that way its like how can we approach this movie in a way that as writers we have an emotional entry point ourselves. Main article: Tron: Legacy soundtrack. Tron: Legacy , a sequel made 28 years after the original but with the same actor, is true to the first film: It also can't be understood, but looks great.

Both films, made so many years apart, can fairly lay claim to being state of the art. Sheen's left performance was lauded by commentators, who found similarities between his character and English musician David Bowie right. Main article: Tron: Uprising. The Sirens operate the Grid's game armory, equipping combatants with the armor needed to compete in the games, while also reporting to Castor.

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