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This stable collaboration has allowed the organization of ab. Meetings with art and traditional music , held in various Sicilian towns and in collaboration with CIDIM Italian National Committee for Music , which included performances of local story-singers concerning some famous stories of the poetico-musical repertoire. Performed according to the traditional executive techniques and staging codes; cunti, which are serialized stories publicly related by wandering storytellers and concerning chivalric epics stemmed from the ancient French Chansons de geste; concerts of folk songs; seminars about the Opera dei pupi and Unesco masterpieces of the oral and intangible heritage of humanity held in Palermo.

This stable collaboration aims to increase their activity and expectations within a constant exchange and dialogue, which are at the basis of the important research activity carried on by the founding members of the Association. In addition, in order to revive, promote and popularize it, since the opening of the Museum, the Association organized an annual review of the Opera dei pupi and during the year it still schedules Sicilian puppet shows by inviting companies from all over Sicily and involving them in other didactic activities. Not only does the Association mediates in the relationship between puppeteers and national and international spectators and institutions, but it also creates contacts and cooperation with craftsmen, puppeteers and artists from other countries promoting the cultural and professional exchange between Sicilian traditional artists and foreigners operating in the same field.

In fact, during the annual Festival di Morgana, the Association often invites companies from abroad, which perform or hold workshops in Palermo, and it has also promoted the production of innovative performances mixing traditional practices ex. Chinese Opera and Sicilian Opera dei pupi , or various forms of art contemporary dance, paintings and music : the result was the creation of artistic works which plays with the Opera dei pupi traditional codes which gave Sicilian artists the possibility to become more aware about their activity and to expand the range of their experience in the puppet field.

Finally, this exchange has helped the development of a more general comparative study of traditional theatrical practices. The "Battuglia di Pastellessa" are ornamental wagons that are prepared to celebrate the religious feast of Saint Anthony, the Abbot, in January following a tradition that started years ago in Macerata Campania. Membership to the Association is free, without any kind of discrimination with regard to race, citizenship, sex or religious belief. Other Associations, Committees, Institutions and Foundations, sharinq the same purposes of the Association, can apply for membership to the Association.

During such event the Association coordinates about 1. During the previous days concerts, tastings and religious liturgies warm up the atmosphere. The feast consists in: firing the "Cippo di Sant'Antuono" Saint Anthony's piece of wood , parade of the ornamental wagons of the "Battuglia di Pastellessa", fireworks and a raffle. The band exhibition of the "bottari" is in the morning when they are carried on 16 meter-long wagons, with their instruments consisting of vats, barrels and sickles, realized by local artisans, around the town. After the Mass fireworks are exploded as symbol of the purification and the struggle against the evil spirit.

Figurative fireworks representing a woman, a pig, a donkey, enrich the symbolism and represent the protective force from the snares of the world. Traditional games as tug of war, the sack race and the raffle, when all donations collected during the procession are auctioned, mark the closure of the festivities.

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The event is organized by the Association with the sponsorship of the Municipality of Macerata Campania, the Province of Caserta, with the Campania Region, and the participation of the "Comitato per la promozione del patrimonio immateriale". Dissemination Project Sant'Antuono Web 2. The Association's Web community puts together more than 1. The event was organized by the Association with the sponsorship of the Municipality of Macerata Campania. The event was organized by Association with the sponsorship of the Municipality of Macerata Campania. The event was co-organized by the "Comitato Carnevale di Montemarano" and the "Comitato per la promozione del patrimonio immateriale ICHNet " with the sponsorship of the "Istituto Centrale per la Demoetnoantropologia" of the Italian Ministry of Culture.

Establishment of the Study Centre "Historia Loci" in order to fulfil safeguarding activities for the intangible cultural heritage of Macerata Campania through research, studies, and events. Young people are invited to join in the practice of playing the various typical musical instruments used while elder people participate in the transmission of techniques and patterns of playing and singing. The about 1. In order to fulfil the safeguarding activities for the intangible cultural heritage of Macerata Campania, the Association collaborates with other Associations, Committees, Institutions and Foundations, of the territory such as the "Associazione Radici" of Marcianise, the "Comitato Carnevale di Montemarano" of Montemarano, the Province of Caserta, the Municipality of Macerata Campania.

In order to strenghthen the knowledge of its local tradition and specific percussion techniques, it also collaborates with organizations from other parts of Italy including the "Comitato per la promozione del patrimonio immateriale ICHNet - Intangible Cultural Heritage Network " and the "Istituto Centrale per la Demoetnoantropologia" of the Italian Ministry of Culture. Since its foundation in , MusicaEuropa has been committed to developing ideas and projects in the arts in order to bring different cultures together in a social context and give young musicians the opportunity to work professionally with professionals and institutions in the public and private sectors.

The key focus of the activities of MusicaEuropa are music and arts for professionally targeted musicians, but also as a formative artistic activity of fundamental importance for a better development of modern society. Additional information: MusicaEuropa, in accordance with the "Convention for the Safeguarding of the Intangible Cultural Heritage" is engaged in the research, preservation and dissemination of the intangible cultural heritage.

This objective has been achieved over the years through a commitment in researching and protecting the ancient traditional music of the Mediterranean area from Turkey to Portugal. At the end of this five-year project, MusicaEuropa organised the international conference, "European cultural Associations - Today's Problems and Future Development" in December This Festival focused its 7-years activity on creating a real exchange between north and south Europe, on developing the concept of cultural integration, offering young music students important opportunities of quality training with excellent teachers and musicians and concrete possibilities of professional growth playing with the World Youth Orchestra and in chamber music ensembles.

The Festival had many different concerts and music sections the involvement of important international institutions and non-governmental organizations in Rome. The International Fetival of Young Musicians has added value to a common cultural European space and it has fostered international networking connections amongst young people and cultural institutions created international partnerships. Innovative programming of the concerts received a widespread appreciation by broad international audiences.

The World Youth Orchestra gathers young students from 16 to 28 years old, coming from the best music academies, conservatories and universities of the five continents to play music together. The activities include high level trainings, music master classes held by well known music professors and musicians, participation to international musical events, tours and concerts all over the world.

All these activites foster intercultural dalogue, integration and mobility of youth, multi cultural coexistence through formal and informal education thanks to the universal language of music. Since its foundation in , it has involved more than students from 48 countries. The project had its focus on peace in the Mediterranean area, and its activites were implemented in many Mediterranean countries such as Algeria, Israel, Italy, Jordan, Malta, Palestine, Slovenia, Tunisia and Turkey.

Through formal and informal education, MusicaEuropa fosters young artists mobility and intercultural dialogue. Another project managed by MusicaEuropa in the past years is the "Arthmos Project", a social project for underprivileged children, promoting the artistic education in primary schools with high percentage of children with fewer opportunities social obstacles, educational difficulties, economic obstacles and cultural differences.

Artisitic education and creativity aim at developing cognitive, relational and emotional capacity, as well as self-esteem and social consciousness in order to keep children away from drop-outs, lack of dialogue and cultural standardization. Theses activities has been implemented from to in the suburbs of Rome and we are now trying to implement similar projects in Palestine, together with the Palestinian Minisitries of Education and Cutlure. The key focus of the activities of MusicaEuropa are music and arts for professionally targeted musicians, but also as a formative artistic activity of fundamental importance for a better developement of modern society.

Additional information: MusicaEuropa is a non-profit association operating in the fields of arts and education, safeguarding the ancient mediterranean musical heritage and implementing international projects to promote music as a tool for intercultural dialogue. In , thanks to Damiano Giuranna, Alexander Sasha Karlic and other important personalities of the musical world, MusicaEuropa started a research study and to disseminate the music repertoire of folk and traditional music of the Mediterranean basin.

This Festival focused its 7-years activity on creating a real exchange between northern and southern Europe, on developing the concept of cultural integration, offering young music students important opportunities of quality training and concrete possibilities of professional growth. The World Youth Orchestra gathers young students from 16 to 28 years, coming from the best music academies, conservatories and universities of the five continents. The activities include high-level trainings, music master classes held my well known music professors and musicians, participation to international musical events, tours and concerts all over the world.

All these activities foster intercultural dialogue, integration and mobility of youth, multi cultural coexistence through formal and informal education thanks to the universal language of music. More than students from 48 countries have played in the orchestra. In MusicaEuropa created a long term project for the peace and dialogue in the Mediterranean: "World Youth OrchestraMediterranean Tour - The Mediterranean Brotherhood, focussed on the peace in the Mediterranean area. Another project managed by MusicaEuropa and implemented between and in the suburbs or Rome is the "Arthmos Project", a social project for underprivileged children, promoting the artistic education in primary schools with a high percentage of children with fewer opportunities social obstacles, educational difficulties, economic obstacles and cultural differences.

Safeguarding the intangible heritage through the research on ancient traditional Mediterranean music in the Middle East, in northern Africa and in Europe, has been possible thanks to a series of contributions and influences from the professionals working with MusicaEuropa and various collaborations with leading personalities of the world of music such as Alexander Sasha Karlic, Robert R.

Holzer, Nader Jalal, Issa Boulos. Damiano Giuranna committed himself to the research of the ancient musical Mediterranean heritage following the teachings of Alexandar Sasha Karlic and Moni Ovadia. During 15 years of activities he has gathed hundreds of songs and instrumental music in Turkey, Jordan, Palestine, Israel, Tunisia, Algeria and Morocco. He has studied also the ancient Sephardic music in Spain and Greece. The execution of these compositions has been performed in many countries, giving a concrete contribution to the safeguarding and widespreading of a precious musical heritage. Additional information: MusicaEuropa in the past years has managed different projcet which had the aim to create a spirit of mutual respect and collaboration.

The "Arthmos Project", a social project for underprivileged children, promoting the artistic education and the ancient Mediterranean. Social activities like art and music stress the importance of the interpersonal relation leading to a better listening of the other and thus the developing a feeling of brotherhood. In accordance with the Art. MusicaEuropa organizes annual workshops, advanced training and high-formation courses for young musicians from all over the world.

The Association has promoted and organized courses dedicated to schools of every grade in Italy and in several countries in Europe and the Middle East, focusing in particular on the ancient traditional music of the Mediterranean area with a particular attention on the influences, on the different styles, on the structure, on the performing techniquest with a deep work of research. A particular significance has been given for these events by the participation of the community, helping to raise the awareness amongst individuals and groups of people on the wonderful musical intangible heritageof the Mediterranean basin and particularly on the ancient folk Mediterranean music.

This shared by the community participation has passed knowledges and a great strenght capable of transmitting the artistic cultural heritage. The exchange of information and experiences among young people has been an important element for these project and a fundamental value for Musica Europa, in accordance with the Paragraph N. Learning from the knowledge of the other is a way to enrich one own's cultural background and therefore a way to preserve and transmit the cultural heritage. The Union helps to learn and form the public opinion about carpet-making art, legal rug products, and it also helps the stimulating of the raising of the creative work mastery of the physical persons, popularization of quality and special signs of our national culture and handicrafts to determine various examples of carpets and also helps theirs popularization and demonstation in Azerbaijan and the world.

The NGO collaborates with local and international organizations of carpet-making art, including museums and also with legal and physical persons, as well as the state agencies. The Unity organizes different trainings and workshops, round tables and meetings, exhibitions, charitable fundraising, conferences, other cultural and other mass measures; dissiminates information about purposes and activities, publishes print materials. The Carpetmakers' Union organises regular trainings in technique of pileless carpets at the the Museum of the Azerbaijan carpet. Communities of carpet weavers demonstrate the works at various exhibitions.

So, in the national competition-festival of carpets in various zones of the country was organised. In , works of national weavers were shown in one of the Days of the Azerbaijan culture in Basel. Besides, the following national laws were adopted: in the Law on import-export of cultural objects, in - the Law about folklore, in - ratification of the Convention of UNESCO on Protection of intangible Cultural heritage.

In , , and , three international symposiums of the Azerbaijan carpet were organised in Azerbaijan. In 4th symposium devoted to the anniversary of Ljatif Kerimov took place in UNESCO headquarters in Paris where the exhibition of artists works also was organised. Kerimov and Materials of 4th symposium about the Azerbaijan carpet. Many last projects have been connected with efforts on revival of carpet art. In 14th of September, has been spent the round table and a master class "Not varying values of varying time" with the assistance of carpet — wavers, artists on carpets, collectors and businessmen, and also fans of carpet art.

It has been shown a collection of clothes with use of carpet patterns of young designer Minary Kulieva, works of the master on embroidery art with use of a carpet thread of Shahla Askerova, etc. On 17th of November, , on the day of birth of the great artist on carpets, masters, scientific Ljatif Kerimov has been opened the exhibition of professionals and masters is national-applied art "The art Bridge, the leader from the past in the future".

On 18th of May, has opened the exhibition of tapestries "Tapestries: yesterday and today", where have exposed the works of masters of Non-governmental organisation. On 10th of May, has been opened the exhibition of the Union's member Mr. In March, has been opened the exhibition of masters on national-applied art was devoted to a holiday of Novruz. Since the Carpetmakers' Union has started to carry on negotiations with similar international communities in Uzbekistan, Turkmenistan, in Russian Federations and in Islamic Republic of Iran. Result of negotiations was the opening of an exhibition of masters of people-applied art of Uzbekistan which has been opened together with "Fund-Forum of culture and art of Uzbekistan", Associations of Antiquaries of Uzbekistan "Meros" which will proceed in the autumn opening of an exhibition of the Azerbaijan masters in Tashkent, also opening of an exhibition of carpets on the basis of pictures of the National artist of Azerbaijan and Russia Tahir Salahov.

In this way the Union supports to enrich cultural variety, protect non-material cultural heritage especially among young generation. It carries out monitorings for the learning cause and effect in the material and technical direction, prepare the activity program in the direction of restoration of the technologies defining on the basis of getting results of the sensible and forgotten kinds of the carpet-making art. In in Guba, Khachmaz, Gusar, Shabran, Siyazan the Union carried out the survey about modern situation of the carpet-making art, in in the result of analysis of the surveys compile the plan of monitoring and in Guba unity have been organized the exhibition from the works of the carpet-makers and masters of applied art.

In there were surveys about carpet-making art in the west zone of Azerbaijan. The same problem is connect with various kinds of art embroideries. It is about the propaganda the ancient kinds and names of embroideries art among the young generation.

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Once in a month the Union organize the meetings with craftsmans in the various handicrafts of people-applied art and investigate their problems. Carrying out the work among different adults , the Union learns their interests to various kinds of applied art and organize different groups. Educational activities: At the museum but also in schools. We are holding courses for youths and adults who want to learn, and also have two university courses at the museum together with the Gotland University. Festival: Since , every year we have had a storytelling festival, which is local, national and international.

At the festival we host a Nordic youth camp for the next generation of storytellers. We are trying to highlight different kind of storytelling traditions, we highlight the romany tradition. This has been done by; road signs, maps, story cabinets at the actual place the cabinets consist of a story that the visitor can read in Swedish, English or German, a painting which is connected to the story , an app you can listen to the story in your phone instead of reading if you like geocaching, performances, activities and excursions.

Every summer we do a summer program in The Land of Legends, with performances open for the public. Performing arts: Storytelling is a performing art, we do plenty storytelling from stages, at theathers and festivals. Book publishing: Several books have been published with the old tales but also with the new stories that we have collected today. Minority groups — we have highlighted storytelling traditions belonging to groups that unfortunately have been overlooked in history, for example Romany and Sami.

Together we have done many projects, and helped them at several places to highlight their legends and stories connected to places where they operate. NGO for traditional handicraft — connected to the making of handicraft are several stories and tales. We work together with the traditional handicraft association to bring forward these stories. We co-operate around storytelling, doing performances at the museums. Main objectives of the Organization: 1. Rediscovery and promotion of the intellectual and traditional knowledge of the Igbos relating to its traditional medical knowledge and practices; 2.

Protection of the masquerade and oracular prophetic practices of the Igbos, Wawa people as they extend in Nigeria, Ghana, Cote d'lvoire and Senegal; 3. Defense and sustenance of the natural and customary practices of the indigenous African people under the context of foreign religion and globalization which exterminate the population's social and economic existence; 4.

Sensitization of the intellectual class in Africa on the issues that border on African intellectual property and folklore; 5. Research and publications on African intellectual and folklore history and issues by collating end reports of conferences and workshops. Poverty reduction programs to ensure environmental and economic sustainability for the Wawas in 19boland spread through the four West African states; 7. Designing relevant programs that will impact positively and contextualize the millennium development goals in the lives and customs of the Wawas in 19boland, especially those in tension soaked Niger delta of Nigeria.

Poverty reduction programs to ensure environmental and economic sustainability for the Wawas in Igboland spread through the four West African states; 7. Designing relevant programs that will impact positively and contextualize the millennium development goals in the lives and customs of the Wawas in Igboland, especially those in tension soaked Niger delta of Nigeria. We have embarked upon documentation and profiling of the intellectual properties and folklore of the Wawa people of West Africa with a view to seeking legislative and copyright protection of these activities, previously undocumented; 2.

Publication of well researched articles and books on Wawa indigenous people that will itemize the various cultural properties and rights of the people to sensitize the world and national governments on the areas which are threatened with distinction. Organizing workshops and attending global fora of world indigenous peoples to present the perceived areas of injustice and marginalization which have threatened them with extinction and permanent dislocation in the geography of their present locations in West Africa. Collaboration with all other individuals and organizations which promote and defend the intellectual property and folklore of indigenous people worldwide with a view to exchanging information and visits from other parts of the world; 5.

Making representation to governments in the four West African countries to recognize and adopt best practices and conventions on world indigenous intellectual rights and properties. Policy advocacy on curriculum change, legal reform and cultural promotion of the intellectual property of the Wawas and Igbos in West Africa. Materials gathered by CTMD staff, folklorists, ethnomusicologists and community cultural sepcialists are the basis for subsequent articistic presentations and educational programming.

The collection includes audio and video recordings, photographic documentation and related ephemera on CTMD's presentations and programs.

A monthly eNewsletter provides news, events and informatin about NY's traditional music and dance scene. While CCIs are deeply grassroots and NY-based, they produce ripples that can extend nationally and even internationally. In the s, CTMD's project to document and present Jewish klezmer music helped spark a workd-wide revival. In the s, CTMD helped form the renowned all-women's ensemble Cherish the Ladies which ispired huge interest amongs women across North America ane even Ireland in performing Irish music previsously a male-dominated activity.

Il met sur pied des expositions en lien avec ses collections. La mission du Centre touche les volets de la recherche, de la conservation et de la formation, de la diffusion et de la mise en valeur du patrimoine vivant. However, from it increased her activities to encompass the conservation of both movable, immovable and intangible heritage assets. CHDA is mandated to Organize, co-ordinate and develop viable projects and activities for heritage and museum development in Africa, such as the post-graduate diploma course in the care and management of heritage and museum collections in sub-Saharan Africa, in collaboration with the University of Nairobi and University College London, and the Africa program.

In many programs, CHDA invites expert resource persons and also teaching assistants, who use the opportunity to understudy the expert trainer on their way to becoming expert trainers in their own right. These professionals, many of who went on and acquired further qualifications, became part of the CHDA network of heritage professionals, a pool of experts that CHDA draws on for its professional training needs, as resource persons, facilitators and program coordinators in case of need.

It is important to note that the network has experts in most of the different aspects of heritage management, including tangible, intangible, movable and immovable heritage. They also have loyalty and commitment to CHDA, having come through it in the development of their professional careers.

A few of the programs CHDA has undertaken in the past and which had a direct bearing on intangible heritage management included: 1. Endangered Heritage Assets Program EHAP This program was undertaken by CHDA in successfully sought to identify, document and disseminate the tangible and intangible cultural heritage of the Mijikenda people of the Kenyan coast, especially those that are threatened with extinction.

The three-year en-compass project The project began in October and is on-going. It brought together participants from China, England, Guyana, and Kenya with the remit for Anglophone Africa The program looked at issues related to the dangers and challenges faced in the protection of intangible and tangible cultural heritage in all participating countries.

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The program activities also included a workshop to scope and audit key tangible and intangible heritage resources, including cultural expressions, products and services in each partner country. These in-country workshops provided a focus and momentum for long-term on-going scoping and auditing activities post training. However, the information and material gathered through the scoping exercise was also fed onto a database, used to create the online and published catalogues- this process is still on-going.

The project also intends to create an inventory of cultural heritage resources Tangible and Intangible , including those at risk in the short-term from the scoping exercise undertaken in each of the three partner countries. The catalogue of cultural heritage assets both tangible and intangible collected will be researched and used to design and develop a travelling exhibition that will go around all the participating countries.

This course had a whole unit dedicated to "Indigenous knowledge systems and community involvement", which is basically training in intangible heritage of communities. Africa Courses CHDA hosted the 3-month Africa courses for , , , , and One of the issues Africa program addressed was the issue of insufficient human resources and capacity for management, conservation, and maintenance of immovable heritage properties on the continent, using traditional methods and materials.

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This means that traditional methods, knowledge and skills, which are basically intangible heritage assets, were being mainstreamed in the program, in a participatory approach involving local communities in the conservation planning and management processes. For example, the field projects aimed to establish self-confidence within the local custodians and to enhance their recognition as efficient professionals. The project also worked to integrate traditional techniques in conservation of monuments resulting not only in monuments that are responsive to local environments, but also to the sustenance and promotion of traditional skills - the intangible heritage within the local communities.

The aims of the course was to produce professionals who can record Intangible Heritage appropriately and to enable trainees effectively apply methodologies, standards, and equipment for recording Intangible Heritage. The main course objective was to enable participants to record Intangible Heritage using digital and video cameras in line with laid down standards and procedures as provided in the course.

For this matter, community participation has always been incorporated into the programs CHDA offers its participants - either by making it part of the teaching learning content or by inviting community members as participants in training programs to exchange issues with professionals, learn from and teach them and to create networks for future exchange. In the last training that CHDA held in Zimbabwe on Risk Preparedness for Heritage properties between 6th and 18th May for example, two community members were invited as participants to help build an understanding among professionals on the traditional approaches to risk management of the Great Zimbabwe, as well as to help us understand the community needs and expectations from the professionals in their professional work of management and conservation.

Evaluation Body mandates: ; ; The roots of the CSC lie in an extensive research programme Katholieke Universtiteit Leuven on the history and the current situation of traditional games in Flanders the Dutch speaking part of Belgium , started by prof. R Renson in The unexpected richness and variety of traditional games lead to the foundation of the CSC in order to promote this endangered sporting heritage and to get people acquainted again with the traditional games. The mission of the CSC states that the CSC must be a centre of expertise in safeguarding the intangible heritage of the traditional and modern movement culture in vivo and in situ via identification, documentation, research, protection, handing down, revitalizing … on a national and international level.

Gradually the CSC broadened its scope to a European and even a worldwide scale. On a European level the CSC carried out a lot of demonstrations of traditional games abroad and invited traditional games practitioners from many countries to Belgium for demonstrations and exchanges. The activities worldwide concern mainly research, publications, the gathering of documentation and exchange of information.

From onwards, the CSC committed itself, together with Sportmuseum Vlaanderen Sports Museum Flanders to realise the Sportimonium-project, a museum about the sports history of Flanders in its national and international context. Especially as traditional games are concerned, both the tangible artefacts and intangible loan service, games park —see further aspect of the sporting heritage is taken into account.


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For enquiries the centre calls upon the traditional sports federations for collaboration. Documentation centre and library open to the general public - ca. This collection has been handed over to the Sportimonium in In this museum one of the sections is entirely dedicated to traditional games worldwide.

Therefore the visitors can get acquainted with the skills of a variety of traditional games which are still practised locally in Flanders. As the future teachers and sport administrators they are invited to the Sportimonium in order to sensitize them and to get them acquainted with traditional games.

Counselling and support - supporting festivals organized by the traditional games players - helping clubs, federation and their individual members in research matters - counselling associations or federations for candidatures for the Belgian list of elements of intangible heritage - participation in governmental assessment committees cultural matters - collaboration with Unesco project on traditional games , platform for traditional games worldwide The staff of the CSC has almost 30 years experience in safeguarding traditional games. The staff members 3 have university degrees and have followed in the course of years many courses related to the safeguarding of intangible heritage.

The CSC is in close contact with other organisations in the country taking care of popular culture in order to exchange experience. The same goes for engagement in the international network of the European Association for Traditional Sports and Games, of which the CSC has been among the pioneers. Due to these constant contacts, on the one hand with the practitioners of traditional games and at the other hand with professionals working in the fields of culture, sport and tourism the personnel of the CSC has acquainted its competences. The CSC has been instrumental in helping the clubs to get in contact with each other and to found if appropriate federations of their own.

This resulted in in the foundation of a confederation for traditional games Vlaamse Traditionele Sporten vzw, VlaS with the CSC as one of the founding members. This confederation grew steadily from to The CSC is member of the board of directors of VlaS and vice versa, firstly in order to be well informed about each other activities and initiatives, secondly to collaborate where appropriate. While constructing the traditional games park, there has been close cooperation with practitioners in testing and adapting the facilities in full respect with the games while using — if possible - modern materials.

One of the CSC objectives is to make the bearers of the intangible heritage, i.

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This must lead to an enhanced self-consciousness towards heritage in order to hand it down and to defend it. Important for the CSC remains, furthermore, exchange and collaboration with other organisations experienced in the domain of popular culture and in safeguarding intangible heritage. Son but est de promouvoir, d'elargir et de maintenir la forme traditionnelle de la culture populaire immaterielle, notamment des activites artistiques, des coutumes et traditions.

Grace a un perfectionnement systematique des methodes, elle oeuvre pour I'amelioration de la qualite artistique et logistique des festivals de folklore internationaux et d'autres manifestations consacrees a la presentation du patrimoine immateriel en Republique tcheque et a I'etranger. Elle cherche egalement a soutenir I'echange de connaissances et d'experiences entre les organisations, associations et individus au niveau national et international en contribuant ainsi au maintien d'une partie du patrimoine immateriel.

L'adhesion a la section est ouverte a tous les organismes, organisations, institutions, associations, festivals de folklore, personnes et professionnels actifs dans Ie domaine de la culture traditionnelle et populaire en RT et embrassant ies objectifs fondamentaux du CIOFF, ou a ceux qui manifestent I'interet pour la culture traditionnelle et populaire de fayon constante et efficace.

La qualite de membre est obtenue par selection i'entree d'un nouveau membre est conditionne par I'accord de tous les organes de la section nationale et peut etre ordinaire, associee et honorifique. Sont membres de la section: a festivals de folklore nationaux en RT, dotes du statut CIOFF, b organismes, organisations, institutions, formations folkloriques et associations dont Ie but est la preservation et Ie developpement de la culture traditionnelle et populaire, qui ont demande leur qualite de membre et qui demandent a adherer selon les conditions prevues par la section nationale.

Les membres associes peuvent etre des organismes, organisations, institutions, associations generales ou folkloriques, festivals folkloriques ne beneficiant pas du statu! CIOFF, formations folkloriques, professionnels individuels et experts dans Ie domaine de la culture traditionnelle et populaire qui demandent aadherer selon les conditions orevues dans les statuts. La qualite de membre honorifique peut etre accordee aux personnes identifiees et aux professionnels ayant des merites specifiques quant au maintien et la sauvegarde et du developpement de la culture populaire traditionnelle, sur proposition d'un membre ordinaire ou associe de la section.

Il fallait d'abord investir S'il devait y avoir des suites je me permetterai de vous recontacter. Extraordinaire contorsion dans le raisonnement! Par ailleurs, nous constatons dans votre courriel des commentaires constitutifs de diffamation. Monsieur Domergue David ou Samuel , ou encore David Vidal au choix , personnage connu des services de police Et c'est MH Marketing qui facture les commandes. Mohamed V. Refus, il avait mis Bienvenue dans le club. Que rajouter? A ce jour aucun ve rsement et ETC a disparu. Un croquant comme les autres Voici ce que m'envoies Continum travel.

Je leur ai dit qu! Je verrai ce qu'il me propose. Je ne vois pas encore clairement ou ils veulent en venir. Ce document comme vous avez pu le constater n'a aucune valeur commerciale ni juridique. Depuis le 4 nov. Nous avons choisi la seconde option, l'agence locale n'ayant pas de meilleurs tarifs. Durant le voyage en voiture, nous sympathisons rapidement avec l'autre couple. Dans l'attente de savoir si nous sommes retenus, elle nous propose de boire un verre ce que nous acceptons. Le chauffeur nous raccompagne.

Il regarde mon compte sur son terminal. Je que je fais le 09 mars. Ils sont aux petits soins pour nous. Nous saurons plus tard par Anne Marie Chartier que ce sont des ''taupes''. Je suis alors les conseils de l'organisme. Le 09 mars. Pour le partenariat? Bravo la police et la justice du Maroc qui font cause communes avec les mafieux! A ce jour je n'ai malheureusement je n'ai toujours pas revu la couleur de mon argent.

Trouvera-t-on abusif que nous disions que les responsables politiques sont complices des malfrats? Je pense que l"on pouvait retrouver le responsable de l' ouverture du compte bancaire. Sans blagues! Nous avons fait opposition de sa carte bancaire. Ensuite, il vous envoie faire certifier les documents dans une sorte de mairie.

Pourquoi mon message?

Tout me fait penser que je me suis fait arnaquer. En janvier ,des certains Mm. Au 3 rue Sacramento,il y a un centre d'imposition mais pas d'office notarial. Y aurait-il un complice?? Rappelons en certaines :. Nous recevons les confirmations de vol par Royal Air Maroc, nous recevons les invitations par Cathy resa. Le ryad est bien entretenu, propre, standard. Laurent accepte volontiers. Je rappelle Charlotte pour caller Ourika le mardi et Essaouira le jeudi. Nous avons donc dans les mains un catalogue moche et faux La pression monte!! Comme des gens quittent leur club, des places libres sont temporairement pour nous.

Je lui rappelle que j'avais convenu avec Laurent de nous proposer un devis sur nos prochaines vacances. Que du bonheur!! Par miracle Anthony arrive. Il prend une feuille blanche et m'explique. La caution se divise en deux parts. Anthony me fait un speech un peu trop long sur les avantages, les conditions de sortie, etc. Je lui propose de remplir le formulaire de demande, de le ramener en France, de poser quelques questions autour de moi, de le signer et de lui renvoyer.

On conclut qu'il n'y aura de terrain d'entente, et nous nous levons. Charlotte arrive pour calculer le montant des 2 excursions de la semaine. Il bondit dans le bureau dans lequel nous sommes, nous prend de haut directement, nous accusant de refuser ce qu'on lui doit. Laurent arrive, confirme mes dires et notre accord et se fait pourrir par le type. Elle se retourne vers moi en me demandant de laisser un pourboire pour le show, ce qui le don de mettre en furie le type. Nous savions que nous allions rencontrer des gens qui allaient essayer de nous vendre quelque chose.

Effectivement les Canaries me plaisent. Je lui dis "green garden resort", puis quand je souhaite partir. Il me demande d'ouvrir la page "inscription" et je vois paiement en ligne. Et je n'ai pas eu toutes les informations dont j'avais besoin. Ma Banque Voyages Good Deal C'est tout dire. Cordialement B.

Pour ce faire, il faut acheter des parts Palm Service. Par la suite, elle a disparu du circuit pour cause de maladie. Elle me revient adresse inconnue. Ma relation au Maroc que je contacte tardivement! Nous souhaiterions savoir comment serait il possible de nous venir en aide. Hernandez voulait absolument nous parler de son offre commerciale. Maintenant ils nous menacent d'une mise en demeure par leur service juridique.

Mais pas remboursement pour le moment. Sur VGD Quelques papiers sur le bureau. Nous demande nos passeports. En fait des photocopies que nous exigerons plus tard. Il s'agirait de Mme Lenoir. Le lendemain ,le chauffeur est venu nous chercher pour nous conduire dans les bureaux de Marexpert Atlas.. Emue, elle dit " merci ". Inconnu au barreau de Marrakech. Des lors nous ne payons plus de charges et ne nous servons plus de cette semaine. Je ne paye rien et assez demunie accepte ainsi de perdre la jouissance de cette semaine.

Devant mes reticences et ma mefiance le marketting me dit que le responsable me rappellera le lendemain. Ces voyous se payent de culot mais ne peuvent assumer leurs actes. Qu'ils viennent montrer leurs visages! Chaque couple a eu au milieu de la semaine, un entretien particulier avec un animateur. Le vendredi Nous ne nous rendions pas compte du temps qui passait.. Le lundi Depuis plus de deux mois est apparu un site www. Oserions-nous penser que vous laissez faire?? Oserions nous penser que vous avez un accord avec ces gens?

Jeudi 5 juin vers 14 heures , nous avons? Cette jeune femme affable, souriante , d? Elle nous a expliqu? Le questionnaire comportait des questions d? Puis des questions plus personnelles sur notre niveau de vie , nos professions, les voyages que nous faisions , etc Elle nous invita? Nous l? Les bureaux sont? La secretaire enregistre des renseignements sur notre? Nous sommes en vacances, disponibles , notre hotel Diwane situ? Le lendemain , nous voil? Elle se d? Elle nous f? Elle nous propose une boisson : nous choissisons chacun un th? Catalogues de voyages?

Elle nous explique que ces tarifs sont rendus possibles car il n? Puis elle me montre une mallette en cuir pos? Pas si vite , laissez moi terminer ma d? Nous commencions? Elle avance enfin dans ses explications ,nous faisant comprendre qu? Mais elle nous assure que ce capital vers?

Cerise sur le gateau, nous dit-elle , vous disposez de 4 semaines de location dans des r? Hors si nous voulions disposer que de 2 semaines, ils nous rendraient chaque ann? Ces derniers gagnaient? Marrakesh dans un hotel 5? Chaque personne parrain? Marrakech nous permettait de gagner euro , voire euro s? Tous ces avantages? Entra un homme d?

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Toujours tr? Il nous conseilla de prendre le pack platinium : incluant tout types de s? Le montant?