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Guy Cherqui, Amadeus , 29 May Wanderer , 27 May Remy Franck, pizzicato , 27 May Vincent Guillemin, Alta Musica , 22 May Udo Pacolt, Der neue Merker , 22 May Klaus Billand, Der neue Merker , 20 May Manuel Brug, Die Welt , 20 May Thomas Prochazka, Der neue Merker , 20 May The performance was classily cast right up to the smaller roles.

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Vincent Guillemin, Alta Musica , 11 April Opera Traveller , 9 April Florian Amort, Opern Kritik , 5 April Konstantin Parnian, Klassik. Polifonica Grimaldi , 2 March Peter Uehling, Berliner Zeitung , 21 February Manuel Brug, Die Welt , 21 February Julia Spinola, Deutschlandfunk , 20 February Ingrid Wanja, Der Opernfreund , 20 February Vincent Guillemin, Alta Musica , 19 February Bernd Hoppe, Operalounge , 20 February Ingrid Wanja, Der Opernfreund , 27 December Vincent Guillemin, Altamusica , 14 November Richard Fairman, Financial Times , 3 August Richard Whitehouse, Classical Source , 2 August Shirley Apthorp, Financial Times , 12 May Hamburger Wochenblatt , 11 May Simon Holden, Bachtrack , 22 March David Pinedo, Bachtrack , 2 March Steven Brown, Houston Chronicle , 19 December Rob Hubbard, Pioneer Press , 12 December Who could ask for more?

Simon Holden, Bachtrack , 15 August The emotional qualities of the music were enhanced with the dramatic singing of these two singers, who gave the work an urgency and drama. Heather Leviston, Classic Melbourne , 18 August Udo Klebes, Der neue Merker , 9 June Helmut Christian Mayer, Opernnetz , April Daniel Ender, Der Standard , 14 April Nicolas Derny, Forum Opera , 28 January Werner Theurich, Spiegel Online , 15 September Gerhart Asche, Weser Kurier , 16 September He was a decidedly cool and casual devil, to whom, despite a certain demonic nature, all sympathies fell, and who could completely convince vocally, with his splendid voluminous and well-supported Heldenbariton.

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Ludwig Steinbach, Der Opernfreund , 3 October Joachim Lange, Online Musik Magazin. As a stern Elder whose lies against Susanna might well be believed, his powerful bass voice struck a contrast to the ingratiating, oleaginous manner of Thomas Walker, singing the tenor part of the First Elder. Robert Hugill, Planet Hugill , 14 April Harald Lacina, Der neue Merker , 23 March Giuseppe Pennisi, Milano Finanza , 21 January Fabiana Raponi, Teatri Online , 24 January Pietro de Santis, Geniale Confusione , 2 February Pietro Acquafredda, Nuovo Paesesera , 20 January Dario Ascoli, Oltre Culture , 21 January The twelve apostles and The truth sent from above are particular highlights of this disc, but every track has something to offer.

Trailer "Die Zauberflöte" - Wolfgang Amadeus Mozart

The composer had a lifelong fascination with carols and spent much of his life transcribing and preserving them in the same way he did with folk songs in order to stop the oral traditions from becoming extinct. Derek Welton has a rich yet flexible voice. It sounds effortless and I could listen to him all day.

He is sensitively accompanied by Iain Burnside, and the recording is vibrant and well balanced. He is not afraid to act with his voice and his ability to express humour, intimacy and nobility with feeling that is genuine, marks him in my mind, as an interpreter of art song who deserves encouragement and further opportunities to perform and record in this genre.

Summary Bibliography: Jack Vance

Reprinted with permission. Jyllands-Posten , 19 December Richard Wigmore, Gramophone , February Clive Paget, Limelight Magazine , December Kate Molleson, The Guardian , 17 April Michael Church, The Independent , 20 December In short, he was sensational and I look forward to hearing him again. BachTrack , 21 December Murray Black, The Australian , 6 December Sandra Bowdler, Opera Britannia , 17 December He combined crisp changes of coolness with sharp anger and vengefulness and both gentleness and warmth.


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Sounds crazy, but true. And, it made his moments on stage truly memorable.

Summary Bibliography: Jack Vance

Michael Tanner, Spectator , 9 September George Hall, The Guardian , 9 September Michael Church, The Independent , 27 April Melanie Eskenazi, Classical Source , 15 April Handel allows him little else, and Welton is to be commended for bringing the role off so well. That is something of an understatement when describing baritone Derek Welton.

Compositions by Hans Werner Henze

His performance was a revelation from the word go, and with a commanding voice, assurance and resonance, he showed he has all the attributes needed for the concert platform. Andrew Clark, Financial Times , 6 March George Hall, The Guardian , 6 March Anna Picard, The Independent , 8 March He has strong stage presence, too.

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