Manual Zebulon Teaser (German Edition)

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After years of playing only intense Grindcore drums, he is now back playing the guitar! THE END means the presentation of the extreme voice of Sofia Jernberg in a totally new context surrounded by extreme electronics and drum- activites! European tour in 3 steps….


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JULY ! Magazines all about jazz freistil gunnar holmbergs dig jazz improjazz jazznytt jazzword magnet nutida musik nya upplagan orkesterjournalen paris transatlantic point of departure salt peanuts sonic sound of music squids ear the Wire. Record Shops andra jazz birkajazz catalytic sound dandelion, vancouver BC dusty groove improjazz instant jazz mellotronen pet sounds rotate this substance swe jazz tiliqua records. Vancouver international jazz festival. Silver Stars by Michael Grant My rating: 4 of 5 stars I speak a lot of how I sometimes have trouble finding good YA historical fiction, mostly because last year, I read a couple of examples - Razorhurst and Salt To The Sea - that just didn't cut it for me.

I keep forgetting, however, that Front Lines exists - and now, so does Silver Stars. Michael Grant's series continues in its exploration of an alternate history where women got to fight in World War II Mostly psychological, because as I've said before especially when I read Front Lines last year , that's Grant's specialty. And Grant really shows the darkness of the war, not only in the considerable toll taken in the fight to preserve Western civilization from the creeping evils of fascism, but also in the tension and strife within the Allied camps - which, given the presence of women in the military, only gets worse because there are those men who engage in frequent sexual harassment because they think this should be a boys' club.

Not only that, but with Grant also including soldiers of color such as Frangie , racial tension also flies thick and fast. In-universe and out, just about everyone's uncomfortable with it. And then the three POV characters have their own personal issues to deal with - such as Frangie being the only one in her family talking to her Communist brother, Rainy's involvement with the Mafia, and Rio's worries after she sleeps with a guy she knows from back home, and how does that change their tenuous relationship, especially given the dreadful sexual politics of this time?

Not that any of the politics are any good, really. Let's face it, Silver Stars brings up some armor-piercing questions that, naturally, don't have easy answers. It's a tough, tough fight for Rio, Rainy, Frangie, Jenou, and all their comrades in arms. From Tunisia to Sicily to mainland Italy and being half-Maltese, I'm just a little miffed that Malta doesn't appear at all, not when that island was quite the battleground in World War II , and the war's not over yet, not for these fine ladies with everything to prove even as they fight for a country that doesn't give them the respect they deserve.

Grant's got one more book lined up - which I believe will be called Purple Hearts , a title which makes me scared for these Soldier Girls. But I'm most certainly up for reading it - I have to see this series through to its conclusion now. Friday, March 17, Review: Aftermath. That said, this book, as Star Wars novels go, isn't half-bad, but I can see why it gets a lot of bad reviews. Wendig goes for a somewhat George R. Martin-esque storytelling approach - not in terms of killing your faves off, but in terms of short, choppy chapters that jump around between multiple POVs, many of which are brand-new characters you don't really know anything about, and don't really know if you should care about.

But then, this book takes place in the immediate galactic aftermath of the Battle of Endor, so of course there's going to be a lot of confusion as the Rebellion really starts chasing out the last vestiges of the Empire. Vestiges that aren't going to go away without a fight. It's not the best book ever written, but for what it's worth, it's a pretty decent read, and I'm pretty ready to read the two remaining Aftermath books soon.

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A Conjuring of Light by V. Schwab My rating: 5 of 5 stars This one was a little low on my current library-haul TBR pile, which has ballooned to a pretty massive size since I'm currently done with school, but thanks to Aimal Farooq's urging, I bumped it up and decided to read it before tackling Star Wars: Aftermath. I think I made the right choice. The first two books in this trilogy, I liked them but didn't love them. Hell, based on the first parts of this book, I thought A Conjuring of Light would be too long and slow and damaged by hype to properly appreciate.

I was wrong. No problem when you have a book as fast-paced and twisted as this one, with the stakes at their absolute highest. Our five core characters get their shares of time in the spotlight - and that includes Holland, whom I didn't really like before, but now I feel a lot of sympathy for him, especially given what happens in his flashback scenes. There are, in fact, a lot of flashbacks, not just for Holland, but also for Rhy as well, with more information about the development of his and Kell's brotherhood, and his always-tense relationship with Alucard. Only Lila, I feel, gets a less attention than she deserves, which is a shame, but then she's so integral to the story that she really doesn't need any flashbacks anyway.

But while the story does take its time building up to an explosive climax reminiscent in many ways of Teen Wolf , actually that's really only in terms of page count. The book flies through its short chapters, allowing it to be devoured in a surprisingly short amount of time. And while it's not perfect, A Conjuring of Light finally, for me, validates me as a passenger on this hype train. Normally, when I come to the end of a series, I say ave atque vale. But for Schwab's unique four Londons, I'll instead have to say this. Vas ir Wednesday, March 15, Review: Mistborn.

Mistborn by Brandon Sanderson My rating: 3 of 5 stars I've been wanting to explore this section of Sanderson's Cosmere for a while, but it's been hard to get ahold of the books because my library has a way of losing them. After getting reminded by my friend Aimal though she wasn't so impressed with the book herself , I finally ordered it from another library, and now I've read this first book and judged that maybe Aimal was right - the book's a little bit overrated, though not bad at all.

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The story's pretty hard to follow sometimes, even with what should be a fairly easy to keep track of story of rebellion and revolution, but at least there's a cool magic system comprised of variously powered metals to keep the reader engaged. Hopefully, the remaining books in this series won't be so hard to find at the library, not like this book. It's gritty, violent, and will make you cry buckets - and that's a promise.

For the final time, Hugh Jackman as the clawed wonder. Every art form has its heyday, and that heyday has to eventually come to an end.

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One day, superhero movies will fade away, and some other filmmaking style will come into vogue. Professor Xavier, in his nineties, is afflicted with dementia, and suffers from seizures that cause devastating psychic explosions in a large radius around him. Unlike in IM2 , however, there's no easy solution to Logan's illness - it's not a simple matter of upgrading his machinery, especially because those who have the expertise to do so most certainly cannot be trusted.

Such as those responsible for the creation of a new mutant, using Logan's DNA. Laura looks like a sweet, innocent little girl, but is really very dangerous, with top-notch martial arts skills and double claws, as well as spikes in her feet - all covered with adamantium too, so try not to think about how she'll eventually get poisoned to death by that metal unless she figures out a way to get her claws and spikes reinforced by some less harmful material.

Logan doesn't want to help her - he just wants to take himself and Xavier away from the world and live on a boat, which he's been wanting to buy from some guy down in Mexico. But because Laura is his daughter even if she was basically test-tubed without his knowledge or consent , he reluctantly agrees to follow the suggestion of Gabriela, the nurse who set Laura free from a Transigen facility in Mexico the descendant of Alkali Lake , and take Laura to a rumored safe haven for mutants in Canada, called Eden.

That's because family is such an important part of this movie, and you're going to feel so much for the unconventional family of grandpa Xavier, daddy Logan, and daughter Laura. On some level, you'll relate to them all, or you'll have a family member of whom you'll be reminded by one of the above. The ending is absolute devastation, with only the barest hint of a ray of sunlight at the end of the tunnel.

You'll want to grasp that ray with all your might, and keep hold of all the tissues - you'll need them. But don't worry - while the movie is powerfully sad and grim, remember that hope. And as for the future of the series For further details, stay tuned Yes, I came up with the idea to name my villain after author Jay Kristoff while watching this movie. Judge me. Review: Frostblood.

Frostblood by Elly Blake My rating: 3 of 5 stars It seems like this first Elly Blake book is pretty love-it-or-hate-it because, as YA fantasy stories go, Frostblood takes a lot of inspiration from previous YA fantasies, to the point where, more than most of its contemporaries, it feels like it's copycatting at times.

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Especially given that its premise centers on a girl of a different type of blood, looked down on for it, and drafted into the rebellion to use her secret powers against the oppressive royalty. Hell, even the cover apes Red Queen a bit, with its dripping blood and plain silvery-white background. I'm going to take a third option and say I neither loved nor hated this book.


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  8. Sure, the copycatting is there, and very obvious, but there are a few unique touches which Blake weaves into her worldbuilding - like the powers in this 'verse explicitly associated with specific gods, specifically, the gods of the four winds. Which means there are two additional powers, not just fire and frost - and you'd be very surprised what some of them are though not if you're a Sherlock fan, let's just say that. So this book has a pretty even balance of overdone and new elements, enough to keep me interested and awaiting the sequel, Fireblood , with interest.

    He's been a staple of American cinema for 84 years now, from his first groundbreaking movie to the campy af '70s remake to Peter Jackson's love letter and three-hour tour from Try not to love the smell of napalm in the morning too much. Kong might shove a palm tree into your face for that. Though this movie's set in , and was filmed quite a few months back, releasing it now, in the spring of , makes the movie's themes resonate surprisingly well.

    Just look at the early scene where John Goodman's Bill Randa, an agent of the secret Monarch team featured in Godzilla , comes to DC and comments on the unprecedented corruption of the Nixon administration, which he's pretty sure will never repeat itself again. Fast-forward 44 years and see how wrong you are, Randa, when the corruption reaches new highs in the absence of a legitimate administration.


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    To get said funding, he takes advantage of the rampant confusion in the system as the book closes on one particularly troubling chapter of American history - the Vietnam War. For additional support for his Monarch team which also includes San Lin Jing Tian , a biologist with whom Brooks bonds , he picks up some military-types who are looking to come home from the war at last - a US Army squadron led by Col. Preston Packard Samuel L. Jackson , and Captain James Conrad Tom Hiddleston looking unusually rugged and ragged , late of the British Special Air Services, who brings hunting and tracking skills to the team.

    They go to Skull Island here said to be in the Pacific, not in a remote stretch of the Indian Ocean southwest of Sumatra like in previous versions daunted to various degrees by the storm system that perpetually encircles the place, but the helicopters soar through the rain and lightning and soon start flying over the island, dropping seismic charges to map the island's underlying geology. The mission soon falls to pieces, however, when Kong himself looms out of the jungle and starts throwing palm trees at the choppers, which fall spectacularly and explosively all over the place.

    Who knew Skull Island was so huge? Conrad, for what it's worth, indicates that the wreckage of all the choppers and the crew are scattered over a roughly square-mile area once Kong's done with them.

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    And take note - because he's not distracted trying to hold on to the Beauty to his Beast on top of a huge NYC skyscraper, he's got no trouble making mincemeat of these choppers even as they attempt to shoot him down. At one point in this first extended fight, he even jumps into the air and successfully tricks two choppers into shooting each other down.

    The plan, from this point forward, is to rendezvous at an exfil point on the north end of the island, but to get there, everyone has to trawl through the jungle like it's Vietnam all over again. And, just like Vietnam, our fighters are horribly outmatched - not so much by human inhabitants, though. Don't worry, if you think the movie's gonna portray the tribe as a cargo cult, they don't. Marlow actually first appears in the movie's prologue, wherein he and a Japanese pilot, Gunpei Ikari, crash-land on Skull Island's shores in , fight each other for a while, and then witness Kong himself rising out of the jungle.

    When we meet Marlow again in , he reveals that, having found a place where the war no longer mattered, he and Gunpei wound up becoming friends, and both came to live in the tribe's village although Gunpei has since died. Marlow's function in the story is to represent the perfect antithesis to the movie's more warlike characters, particularly Sam Jackson's Col. Packard, who pretty much forgets the Vietnam War is over the second Kong starts acting up. From there, another parallel to the present day is drawn - not only does the movie take place at a time when corruption and cynicism were infecting the government at the highest levels just like today , but also, like today, the movie's time period is coming down off a war that, in hindsight, has proven totally unnecessary, a waste of precious resources, money, and manpower fought only because those in charge were hawks who just wanted any excuse they could get to rattle their sabers.

    And, as Packard says to try and justify his ways, "We didn't lose the war. We just abandoned it. They may have abandoned it, but they've sure as hell found their way into another one, this time on a scale far greater than human. Some of these, like a massive water buffalo, are pretty harmless. One is Kong, not the nicest guy around, but he's easily counted on to keep you safe from the worst of them, unless you piss him off. These monsters have a way of lurking in wait, camouflaging themselves and only striking when it's too late.

    They're monsters, but their ecosystem perfectly represents a foreign land in which American military might really has no place - again, just like Vietnam. And again, just try telling that to Packard, who by the end of the movie basically wants to blow it all to hell as revenge for the team's first encounter with Kong, with no regard for the terrible impact this will have on the rest of the island. Including the villagers. While the producers' approach owes a lot to the Marvel Cinematic Universe - ItsAllConnected in the tangled story threads, some of which wait until a post-credits scene to make themselves known; and they've also hired a little-known director with more than a strong flair for filmmaking, very clearly standing on the shoulders of the giants Abrams, Spielberg, Whedon, Gunn, etc.

    It's brutal and blistering, to be sure, but its themes and messages resonate shockingly well in the wake of America's fall to fascism. Go and watch this grade-A movie if you can. You're welcome. Till next time, Pinecones Review: Caraval. Caraval by Stephanie Garber My rating: 4 of 5 stars Not unlike last year's Ruined by Amy Tintera, Stephanie Garber's debut novel Caraval is set in a Spanish-influenced fantasy world, and has a bit of a slow-paced beginning but really picks up the pace in the second half.

    The similarities end there, however. While Tintera's fantasy was a more action-packed piece in the vein of Throne of Glass , Garber gives us something more akin to Alice in Wonderland - and especially Splintered. But there was one character in particular that kept coming to mind quite often as I read the book, and that was Teen Wolf 's infamous Nogitsune.

    Along the way, Garber treats protagonist Scarlett Dragna - and, by extension, us readers - to a sumptuous, surreal, and often quite violent ride. Let me not sugarcoat it - this book isn't for the faint of heart, between the horribly abusive Governor Dragna treating his daughters Scarlett and Tella like doormats and the frequent bloody murders that saturate the second half of the story. As YA stories go, this one is dark and full of terrors, so consider yourself warned going in.

    Though it doesn't quite live up to the hype for me reminding me a bit of Truthwitch , Caraval makes for a strong and unforgettable debut, and I can't wait to read the sequel next year. The Orphan Queen by Jodi Meadows My rating: 3 of 5 stars I've admittedly been sleeping on the works of Jodi Meadows for a while, but recently, when there erupted a furor over the cover of her upcoming series starter, Before She Ignites , I realized I might have been missing out on some good books.

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    So I'm going to be combing through her oeuvre for a while to get a taste before BSI - which I really want to read - hits shelves. As a first impression of Meadows' work, I probably would've found a better one with her Incarnate series, because The Orphan Queen certainly isn't as stellar as its first pages or so might imply. Sure, the book has a pretty interesting premise - its main character being a lost princess stolen from another kingdom, raised in cozy captivity, but now wreaking havoc in a gang of thieves - but those first pages or so, the most five-star parts of the book, quickly give way to a slow remainder.

    The world-building is pretty minimal, although we do get enough details to notice certain strong similarities to competing fantasy books. Like those of Leigh Bardugo - a distant dark entity toxifying the landscape like in the Grisha Trilogy , heisting and magic like in Six of Crows - or V. Schwab - Wil's tendency to cross-dress as needed reminding me strongly of Lila Bard - or Sara Raasch - lost princess fighting to get back to her magic kingdom.

    There's not a lot that's new in The Orphan Queen , but it does have that strong beginning going for it, and I certainly hope the sequel is an improvement. And also the Incarnate series. And certainly Before She Ignites , which looks like it'll be really unique and fun to read. Friday, March 10, Review: Teeth. This book is a bite-sized piece of modern Gothic magical-realist surrealist weirdness, so literary it hurts.

    Moskowitz's book isn't so impenetrable, but it does carry strong undercurrents of literati pretension in how obsessively character-oriented it is at the expense of a meaningful plot. Really, about the only things I appreciated were the bonding moments between Rudy and Dylan I'm always a sucker for brother stories , and also Rudy discovering that his sexuality extends beyond hetero as he connects more and more with Teeth hence my earlier Andrew Smith comparison.

    Unfortunately, aside from all of that, I felt unable to connect with this story in any way. As a first impression of Moskowitz's work for me, I'm sorry to say this is a poor one, and because I picked this one first specifically because it was the most "genre" and, theoretically, the most in my wheelhouse , I'm pretty reluctant to try any of her other books.

    This brick of a book from Daniel Kraus, with a larger-than-life title to match, fits the bill a little better, perhaps better than any YA historical I've read since The Monstrumologist. Appropriate, given that the first Kraus book I read, Rotters , had some strong Monstrumologist vibes in the modern day, whereas this book follows its corpse-y title character throughout a long stretch of history from the late nineteenth century through World War I, the Roaring Twenties, the Great Depression years spent in Old Hollywood , and finally leaving off right at the start of World War II, with the implied promise that the second book will cover everything from there to the present day.

    It's a long, long journey for Zebulon Finch, perpetually seventeen and always seeking redemption, though, like an erection without blood flow it makes sense in context , it may be very damn near impossible to come by for him. You can tell that Kraus, that "esteemed fictionist," had a blast writing this book, sprawling and disgusting and engrossing as it is.

    It's a look at the seedy underbelly of US history at this time, dealing heavily in organized crime, ethnically-marked gang wars, horrors in the trenches, scam artistry, prostitution and hedonism among celebrities, and other assorted politically incorrect subject matter. It's not for everyone, not by a long shot, but if you happen upon a copy of this book, do give it a shot.