The Jury of Quality is made of exponents of national and international cinema world and judges the feature films, awarding the Golden Spike Award for the Best Feature Film. The Jury of Critics is made of exponents from national newspapers, television and radio; this jury evaluates the feature film category and awards the Special Prize of the Critics.
The Jury of Short Films is made of exponents of national and international cinema world and judges the short films, awarding the Golden Spike Award for the Best Short Film. The Social Jury is made of people coming from social realities of the territory and evaluates the category of documentaries, awarding the Golden Spike Award for the Best Documentary. The Popular Jury is made of citizens and students from cinema schools and evaluates the works in competition into the categories of feature films and short films, awarding the Prizes for the Best Feature Film of Focus Selection and Best Short Film of Focus Selection.
The Jury of Students is made of students from upper secondary schools of the Campania Region and evaluates the works in competition, awarding the Prize for the Best Short Film of the Smile Selection. The Jury of Students is made of students from upper secondary schools of the Campania Region and evaluates the works in competition, awarding the Prize for the Best Short Film of the School Selection. The prize consists in a editorial and home video publication on the Italian national territory for the winning work, according to a special commercial agreement contracted between the parties..
The Prize consists in the production of a cinematic work based on screenplay winning. The winner receive a prize of 1, The "Vertical Jury", composed by students and teachers representing local schools, awards the "Best Short Film of the Vertical Selection". The "Youth Jury" and "Teenage Jury", composed by young people from all regions of the Italian Republic, awards the "Best video-clip of the video-musical Selection".
Tutti i premi sono attribuiti ad insindacabile ed inappellabile giudizio delle relative giurie. It is a moment of cultural and social aggregation, social criticism, reflection and an opportunity of formative life experience. The main goal of the contest is to create an international communication means thanks to cinema and a spot where criticism, comparison, development take place.
Non-competitive section of feature films, short films and documentaries dealing with important social issues and prestigious productions which has been presented and awarded in international festivals or have received a special acknowledgement by the public or the critic. The categories will be awarded by juries made of personalities from the world of cinema or of social issues, together with representatives of the public and of youngsters participating to the activities of the festival. A popular jury will award these works.
Competitive section of short films dealing with social issues, but with a humorous attitude. The jury for this selection will be made of students, as it has been for past editions in which more than 20, students joined the project.
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Competitive section dedicated to short films dealing with social issues, realised by cinema students or students coming from all other kind of schools. This section will be judged by a jury made of students 20, in the past editions. Non-competitive section to give space and visibility to short films and documentaries dealing with social issues which are not able to find a distribution in theatres, television or traditional festival circuit. Screenings take place in unconventional locations and at unusual time.
Competitive section which intends to give space and visibility to short films dealing with social issues realised by young Italian directors under The selected films, which grant the relative authorization, are published on the Rai Cinema Channel website and voted by users of the Rai Cinema online channel.
Competitive section of original and unpublished screenplays for feature films, short films and documentaries. A special jury attributes the expected prize. Competitive section of international photo woth social issues. The selected photo are published on the official Facebook page of Social World Film Festival and voted by users of the social network. Non-competitive section of feature films, short films and documentaries with a fixed theme "Legality" dedicated to the memory of the Italian journalist Giancarlo Siani.
Competitive section of international short films and documentaries shot in virtual reality. Competitive section of international short films and documentaries shot in vertical proportions Competitive section of international short films and documentaries shot with any kind of mobile phone. The selected films, which grant the relative authorization, are published on the official Facebook page of Social World Film Festival and voted by users of the social network.
Competitive section of international music videoclip made with any tool or technique. Non-competitive section including feature films, short films and documentaries dealing with social issues and not belonging to other sections, but still relevant for the Festival. Non-competitive section whose purpose is ensuring a dedicated space to dissemination and commercialisation of cinema works, both feature films and short films.
The screenings can be booked directly during the realisation of the European Market of Young Independent Cinema, which takes place on some days of Social World Film Festival.
The works should have been realised in Italian -with or without English subtitles- or in any other language, but in this case necessarily with English subtitles. The same director can present up to five different works at the ninth edition of the "Social World Film Festival".
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The same production or distribution company has no limits for the number of works presented at the ninth edition of the "Social World Film Festival". Each work selected will be included, with a specific notification, into the programme of the festival, without further acceptance, and it will not be able to retire it. No fee will be paid for the screening of the works included in the selections of the "Social World Film Festival". All shipping costs including customs costs and other expenses are the responsibility of the participant included the return , unless otherwise agreed with the Artistic Direction.
The order, the calendar and the opening hours will be decided by the Artistic Direction of the "Social World Film Festival". Due to the historical and architectural peculiarity of the locations hosting the festival, it is not possible to screening the selected works in DCP.
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For this reason, files, Blu-ray Discs or DVDs will be required by the authors or the distributions of the selected works, which must be free of any overwritten or dithered. If the screening copies are not received, the DVDs sent for selection or the files downloaded by Vimeo or other platforms will be used. Any special cases will be assessed at the sole discretion of the Artistic Direction of the "Social World Film Festival". Participants coming from Italy will be hosted for one night, those coming from Europe for two nights and those coming from the rest of the world for three nights.
The dates will depend on the day and time of the projection. No other kind of hospitality will be provided to other selections at the ninth edition of Social World Film Festival. RIGHTS For cinema, television and web films By participating to Social World Film Festival, the participant grants a non-exclusive and free of charge licence to the Association Social World Film Festival of projecting the work to the public integrally during Social World Film Festival and during all the other events related to the festival both in Italy and abroad, organised by the Association Social World Film Festival or in collaboration with the Association, without receiving any compensation.
By participating to Social World Film Festival, the participant grants to Association Social World Film Festival the right to add subtitles to the work or to use parts or extracts from the work to promote Social World Film Festival, events related to it and other events organised by or in collaboration with Social World Film Festival, both in Italy and abroad, without receiving any compensation. Moreover, by participating to Social World Film Festival, the participant grants non-exclusive licence to Association Social World Film Festival the rights to publish promotional material related to the work including plot, cast list, photos, trailers on its website www.
The Association Social World Film Festival will evaluate the work if explicitly authorised with a specific form sent to all the participants to be included into the selection for the Prize Rai Cinema Channel in different formats digital terrestrial television, satellite, web tv, websites, social networks, etc. The author will always be mentioned. Since the 1st January , the participant will have the possibility to request explicitly in writing to the Organisation of the Festival to be removed from the festival schedule. The participants irrevocably renounce to any claims and actions, requests or reprisals against organizers and Paradise Pictures, the jury and any person who has, in any event, participated in the organization and management of the screenplay contest, raising them from now on with all responsibility.
By sending the script, each participant undertakes to: - do not divulge the script in any way until the winner's proclamation; - do not give up any law regarding the script sent until the winner is proclaimed. By participating to Social Photo Contest, the participant grants to Association Social World Film Festival the right to use parts or extracts from the photo to promote Social World Film Festival, events related to it and other events organised by or in collaboration with Social World Film Festival, both in Italy and abroad, without receiving any compensation.
Moreover, by participating to Social Photo Contest, the participant grants non-exclusive licence to Association Social World Film Festival the rights to publish the photo on its website www. Full information is available at www. In case of difficulties of interpretation of any translation of said regulations, the Italian version applies. The Organisation while guaranteeing the greatest care and custody of the works, will not be liable for any thefts, loss or any damages to artworks or people that could occur before, during or after the festival.
Their determination will have effects of an agreement directly reached by the parties. Quella volta fantasticammo, io continuavo a cercare gente, ogni tanto tornavo al Parco con qualche sognatore, poi ci andai con quello giusto. Questo fu un centro sociale chiamato in onore del popolare e populista eroe di Napoli della fine degli anni ottanta: un contrasto chiaro con molti centri sociali che o si erano riappropriati della precedente definizione o collocazione dello spazio Officina 99 oppure avevano costruito acronimi politicamente significativi lo Ska.
La continua trascuratezza per il parco e la scala mobile ha dato al damm numerosi occasioni di confronto-negoziazione diretta con il Comune. Gli occupanti quando cercano di distinguersi da altre occupazioni sottolineano precisamente il rapporto con il quartiere. Carla, Officina Quindi il termine dovrebbe essere usato con le dovute precauzioni, e le condizioni e circostanze specifiche di ogni centro sociale dovrebbero essere considerate con attenzione.
Left and Right: The Significance of a Political Distinction
I centri sociali in Italia , Roma, Manifestolibri. Acrata Quattrocentoquindici , Varsavia brucia? Per il superamento del ghetto. Analisi critica sui centri sociali , Torino, Acrata Balestrini N. La grande ondata rivoluzionaria e creativa, politica ed esistenziale , Milano, Feltrinelli.
Translations from English, French, Italian and Spanish to Portuguese Brazilian
Bonanni M. Trentasette tesi sulla miseria e la triste parabola dei centri sociali , Napoli, autopubblicato. Braucci M. Bui R. Dal Piaz A. Dazieri S. Mappe e reti della cultura alternativa , Roma, Castelvecchi. De Lucia V. El Paso Occupato e Barrocchio Occupato , Opuscolo di svilluppo del manifesto contro la legalizzazione degli spazi occupati , Torino, autopubblicato. Ferrara L. Goddard V. Gribaudi G. Ginsborg P. Society and Politics , London, Penguin.
Lepore D. Percorsi e ragionamenti intorno a Napoli , Lecce, Argo. Lodi G. Lumley R. Cultures of Revolt in Italy from to , Londra, Verso. Macry P. Morlicchio E. Officina 99 , Officina 99 non si tocca. Dossier: Resistenza , Napoli, autopubblicato. Pardo I.
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