White walls, white chairs, white window shades. A conversation with her betrays few hints. And she is poised. Not a word or a hair out of place. It could be that Ivanka simply received the book as a gift. It could be none of these things. But when much of your life is a study in the art of projection, everything begins to feel like part of the project. Ivanka may find it bizarre that, two years into the Trump presidency, many people regard her as party to what they see as destructive policies and hateful rhetoric.
How is it her fault what the president ultimately decides to say or do? It would be impossible for her or anyone to moderate a man like Donald Trump out of his agenda. She feels like she was saddled with an unrealistic expectation from the outset—one that, according to former United Nations Ambassador Nikki Haley, who is close to Ivanka, she never had a chance of living up to.
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When I spoke about Ivanka with Jared, the one comment from that conversation he was willing to make publicly had to do with how much she resembles her father. She believes his critics have it all wrong. Ivanka knows Trump probably better than anyone, and she knows him to be good.
S ucceeding as Ivanka Trump has always required a suspension of disbelief—on her part and on the part of others. But becoming part of the official White House staff linked Ivanka to Trump in a way no one could ignore. She is intent on returning to New York when her time in the White House is over. And she could very well be right. Trump will not be president forever. Afterward, it will be easier for people to see the Ivanka that Ivanka wants to be seen. Washington is a city where people are even quicker to forgive—to reclassify whatever once outraged them as nothing more than noise.
Happy to sip the white wine, applaud the usual platitudes, and enjoy the soft air of comity. Call it a favor to Dina. Or call it what it really is: Polite society, in the end, will always take back those who are polite. A dangerous trend in fake news has the potential to affect the upcoming U. No one! Reed is partially right; for many evangelical Christians, there is no political figure whom they have loved more than Donald Trump. He spoke to me on the condition of anonymity, so as to avoid personal or professional repercussions. He had interviewed scores of people, many of them evangelical Christians.
Wronged by Mueller, wronged by the media, wronged by the anti-Trump forces. A passionate belief that he never gets credit for anything. The speaker would often have a very clear idea of the attitude he wanted to project, but no urgent message to communicate. He wanted to fill air for 10 or 12 minutes or longer, at the end of which people would regard him as compassionate or strong or whatever other image he had in mind. But how to get from here to there? In the legal world, however, this maneuver might yet succeed. Last week, the Supreme Court ruled against the Trump administration, effectively concluding that it lied about the reasons it wanted to ask the citizenship question.
Government lawyers then told the plaintiffs and Hazel that they were dropping the matter, and that the census would be printed without the question. But after President Donald Trump angrily tweeted that he was still pursuing the matter, government lawyers were forced to admit to Hazel that they no longer knew what was happening. Hazel demanded an answer by today, hence the new filing.
There have, of course, been massive changes to the institution over the past few generations, leading the occasional cultural critic to ask: Is marriage becoming obsolete? But few of these people seem genuinely interested in the answer. More often the question functions as a kind of rhetorical sleight of hand, a way of stirring up moral panic about changing family values or speculating about whether society has become too cynical for love. In popular culture, the sentiment still prevails that marriage makes us happy and divorce leaves us lonely, and that never getting married at all is a fundamental failure of belonging.
Dolly Lucio Sevier evaluated dozens of sick children at a facility in South Texas. She found evidence of infection, malnutrition, and psychological trauma. More than 1, migrant children sat in the detention facility here, and Sevier, a local pediatrician, had been examining as many as she could, one at a time. Five years ago, the flight vanished into the Indian Ocean. Officials on land know more about why than they dare to say. At a. The designator for Malaysia Airlines is MH. The flight number was Fariq Hamid, the first officer, was flying the airplane. He was 27 years old.
This was a training flight for him, the last one; he would soon be fully certified. His trainer was the pilot in command, a man named Zaharie Ahmad Shah, who at 53 was one of the most senior captains at Malaysia Airlines. In Malaysian style, he was known by his first name, Zaharie. He was married and had three adult children. He lived in a gated development. He owned two houses. In his first house he had installed an elaborate Microsoft flight simulator. These words came from an elderly woman sitting behind me on a late-night flight from Los Angeles to Washington, D. The plane was dark and quiet.
I listened with morbid fascination, forming an image of the man in my head as they talked. I imagined someone who had worked hard all his life in relative obscurity, someone with unfulfilled dreams—perhaps of the degree he never attained, the career he never pursued, the company he never started. The president moves to straighten out his own foreign policy—and leaves his hawkish national security adviser on the sidelines. Over the next four years, he fought with the new Soviet leader, Nikita Khrushchev. Even so, Molotov was far, far from the action. On the back porch or around the campfire, this outdoor chair is designed with spring-action rocking technology to smoothly move back and forth as you take in the outdoors.
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In the movie adaptation of Chandler it's the main character that speaks off-screen, but we didn't want to reproduce that though it obviously has echoes. It's as if someone was commenting on the plot from an all-seeing point of view. And at the same time rediscovering the old earthiness of a Mark Twain. The significance of the bowling culture was, according to Joel, "important in reflecting that period at the end of the fifties and the beginning of the sixties.
That suited the retro side of the movie, slightly anachronistic, which sent us back to a not-so-far-away era, but one that was well and truly gone nevertheless. The Coens decided to make Fargo in the meantime. This is a normal writing process for them, because they often "encounter a problem at a certain stage, we pass to another project, then we come back to the first script. That way we've already accumulated pieces for several future movies.
In casting the film, Joel remarked, "we tend to write both for people we know and have worked with, and some parts without knowing who's going to play the role. I lived in a little place like that and did drugs, although I think I was a little more creative than the Dude. According to Joel, he "came up with the idea of just laying free-form neon stars on top of it and doing a similar free-form star thing on the interior". This carried over to the film's dream sequences. In the first dream sequence, the Dude gets knocked out and you see stars and they all coalesce into the overhead nightscape of L.
The second dream sequence is an astral environment with a backdrop of stars", remembers Heinrichs. The Coen brothers told Heinrichs that they wanted Treehorn's beach party to be Inca -themed, with a "very Hollywood-looking party in which young, oiled-down, fairly aggressive men walk around with appetizers and drinks. So there's a very sacrificial quality to it. Cinematographer Roger Deakins discussed the look of the film with the Coens during pre-production. They told him that they wanted some parts of the film to have a real and contemporary feeling and other parts, like the dream sequences, to have a very stylized look.
For his dance sequence, Jack Kehler went through three three-hour rehearsals. At each rehearsal, he went through each phase of the piece. Actual filming took place over an eleven-week period with location shooting in and around Los Angeles, including all of the bowling sequences at the Hollywood Star Lanes for three weeks  and the Dude's Busby Berkeley dream sequences in a converted airplane hangar.
She worked only two weeks on the film, early and late during the production that went from January to April  while Sam Elliott was only on set for two days and did many takes of his final speech. Deakins described the look of the fantasy scenes as being very crisp, monochromatic, and highly lit in order to afford greater depth of focus.
However, with the Dude's apartment, Deakins said, "it's kind of seedy and the light's pretty nasty" with a grittier look. The visual bridge between these two different looks was how he photographed the night scenes. Instead of adopting the usual blue moonlight or blue street lamp look, he used an orange sodium-light effect. To achieve the point-of-view of a rolling bowling ball the Coen brothers mounted a camera "on something like a barbecue spit", according to Ethan, and then dollied it along the lane.
The challenge for them was figuring out the relative speeds of the forward motion and the rotating motion. CGI was used to create the vantage point of the thumb hole in the bowling ball. The original score was composed by Carter Burwell , a veteran of all the Coen Brothers ' films. They knew that they wanted different genres of music from different times but, as Joel remembers, "T-Bone even came up with some far-out Henry Mancini and Yma Sumac.
Burnett convinced Klein to watch an early cut of the film and remembers, "It got to the part where the Dude says, 'I hate the fuckin' Eagles , man! For Joel, "the original music, as with other elements of the movie, had to echo the retro sounds of the Sixties and early Seventies". So there's a musical signature for each of them", remarked Ethan in an interview. The album cover of their record Nagelbett bed of nails is a parody of the Kraftwerk album cover for The Man-Machine and the group name Autobahn shares the name of a Kraftwerk song and album.
In the lyrics the phrase "We believe in nothing" is repeated with electronic distortion. This is a reference to Autobahn's nihilism in the film. It was also screened at the 48th Berlin International Film Festival   before opening in North America on March 6, in 1, theaters.
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Many critics and audiences have likened the film to a modern Western , while many others dispute this, or liken it to a crime novel that revolves around mistaken identity plot devices. There's a large amount of profanity in the movie, which seems a weak attempt to paper over dialogue gaps. Todd McCarthy in Variety magazine wrote: "One of the film's indisputable triumphs is its soundtrack, which mixes Carter Burwell's original score with classic pop tunes and some fabulous covers.
No one does it like them and, it almost goes without saying, no one does it better. Bridges finds a role so right for him that he seems never to have been anywhere else. Watch this performance to see shambling executed with nonchalant grace and a seemingly out-to-lunch character played with fine comic flair. I doubt that there'll be anything else like it the rest of this year.
However, Jonathan Rosenbaum wrote in the Chicago Reader : "To be sure, The Big Lebowski is packed with show-offy filmmaking and as a result is pretty entertaining. But insofar as it represents a moral position—and the Coens' relative styling of their figures invariably does—it's an elitist one, elevating salt-of-the-earth types like Bridges and Goodman The film is infuriating, and will win no prizes. But it does have some terrific jokes. The site's critical consensus reads, "Typically stunning visuals and sharp dialogue from the Coen Brothers, brought to life with strong performances from Goodman and Bridges.
Since its original release, The Big Lebowski has become a cult classic. The theater held the film over for six weeks, which had never happened before.
An annual festival, Lebowski Fest , began in Louisville, Kentucky , United States in with fans showing up, and has since expanded to several other cities. Held over a weekend, events typically include a pre-fest party with bands the night before the bowling event as well as a day-long outdoor party with bands, vendor booths and games. Various celebrities from the film have even attended some of the events, including Jeff Bridges who attended the Los Angeles event.
Dudeism , a religion devoted largely to spreading the philosophy and lifestyle of the film's main character, was founded in Also known as The Church of the Latter-Day Dude , the organization has ordained over , "Dudeist Priests" all over the world via its website.
Two species of African spider are named after the film and main character: Anelosimus biglebowski and Anelosimus dude , both described in The first species described within this genus in is based on million-year-old plant fossils from Texas, and is called Lebowskia grandifolia. The film has been used as a tool for analysis on a number of issues. In September , Slate published an article that interpreted The Big Lebowski as a political critique. The center piece of this viewpoint was that Walter Sobchak is "a neocon ", citing the film's references to then President George H.
Bush and the first Gulf War. A journal article by Brian Wall, published in the feminist journal Camera Obscura , uses the film to explain Karl Marx 's commodity fetishism and the feminist consequences of sexual fetishism. It has been used as a Carnivalesque critique of society, as an analysis on war and ethics, as a narrative on mass communication and US militarism and other issues.
Ups and Downs There are both a standard release and a Limited Edition which features "Bowling Ball Packaging" and is individually numbered. The film was released in Blu-ray format in Italy by Cecchi Gori. The limited-edition package includes a Jeff Bridges photo book, a ten-years-on retrospective, and an in-depth look at the annual Lebowski Fest. The Coen brothers have stated publicly that they will never make a sequel to The Big Lebowski. On January 24, , Jeff Bridges posted a 5-second clip on Twitter with the statement: "Can't be living in the past, man.
Stay tuned" and showing Bridges as the Dude, walking through a room as a tumbleweed rolls by.
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From Wikipedia, the free encyclopedia. Theatrical release poster. Roderick Jaynes [a] Tricia Cooke. Working Title Films. United States  United Kingdom . Film in the United States portal Comedy portal s portal. Turner Classic Movies. Retrieved October 19, British Film Institute. Retrieved August 27, The Numbers. Retrieved May 24, Indie Wire. Retrieved June 19, The A. Retrieved April 20, The Independent.