Manual To Know the Truth : A Newspaper Novel of the 50s

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Mariane Pearl embarks on a frantic search to locate her journalist husband, Daniel, when he goes missing in Pakistan 6. In Uruguay in the early s, an official of the US Agency for International Development a group used as a front for training foreign police in counterinsurgency methods is kidnapped by a group of urban guerillas 7. An oddball journalist and his psychopathic lawyer travel to Las Vegas for a series of psychadelic escapades 7.

A politically-charged epic about the state of the oil industry in the hands of those personally involved and affected by it 7. Truman Capote Hoffman , during his research for his book In Cold Blood, an account of the murder of a Kansas family, the writer develops a close relationship with Perry Smith, one of the killers 7. A high-school boy is given the chance to write a story for Rolling Stone Magazine about an up-and-coming rock band as he accompanies it on their concert tour 8.

A group of CNN reporters wrestle with journalistic ethics and the life-and-death perils of reporting during the Gulf War 7. A young journalist, a seasoned cameraman and a discredited war correspondent embark on an unauthorized mission to find the no. When a Newsweek photojournalist disappears in war-torn Yugoslavia, his wife travels to Europe to find him.


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In Washington, D. A newspaper editor uses every trick in the book to keep his ace reporter ex-wife from remarrying. A journalist, down on his luck in the US, drives to El Salvador to chronicle the events of the military dictatorship, including the assasination of Archbishop Oscar Romero. A San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac killer.

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Three journalists in a romantic triangle are involved in political intrigue during the last days of the corrupt Somozoa regime in Nicaragua before it falls to a popular revolution in Two Supreme Court Justices have been assassinated. One lone law student has stumbled upon the truth. An investigative journalist wants her story. Everybody else wants her dead. Injuries sustained by two Army ranger behind enemy lines in Afghanistan set off a sequence of events involving a congressman, a journalist and a professor 6.

Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity 6. A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus. As a tabloid newspaper editor tries to prevent his top reporter from retiring, an escaped death row convict shows up at the office trying to convey his innocence.

Take two rival TV reporters: one handsome, one talented, both male. Add one producer, female. Mix well and watch the sparks fly. A musical based on the New York City newsboy strike of When young newspaper sellers are exploited beyond reason by their bosses they set out to enact change and are met by the ruthlessness of big business. Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent.

He is therefore considering an offer from Paul Bladden to edit a paper like the New York Times, which would mean more money, shorter hours, more respectability…but might also be a bit boring for his tastes. But a hot story soon confronts Henry with tough decisions. Powerful but unethical Broadway columnist J. A British writer struggles to fit in at a high-profile magazine in New York City. During their reports they find an orphanage run by devoted Mrs. Savic near the front line.

He is assisted by American aid worker Nina. The true story of how the Boston Globe uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core.

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When Louis Bloom, a con man desperate for work, muscles into the world of L. A documentarian and a reporter travel to Hong Kong for the first of many meetings with Edward Snowden. A drama based on the true-life experiences of four combat photographers capturing the final days of apartheid in South Africa. A radical American journalist becomes involved with the Communist revolution in Russia, and hopes to bring its spirit and idealism to the United States.

Baltimore drug scene, seen through the eyes of drug dealers, and law enforcement 9. A newsroom undergoes some changes in its workings and morals as a new team is brought in, bringing unexpected results for its existing news anchor. A look at the personal and professional lives of employees at an American news magazine in the late s. Sadly the series was cancelled after just one season, despite a very positive reception.

And ironically, the decision to cancel was made by a man who now faces allegations of sexual harassment. I am still boiling over. View more posts. Nice list. Fantastic tv series about the life in the White House and highly realistic according to critics. The press Secretary and staff play a major role in the series.

Great movie about a woman trying to find her missing husband during the war in Bosnia. She travels with a group of war correspondents. The movie shows us the dangers of media concentration. Thanks for all the suggestions guys! What about Bruno? The gay fashion reporter……..

Article on The Next Web about a Israeli start-up that wants to help celebs getting rid of paparazzi Dutch article about Asthon Kutcher filming some paparazzi with his camera phone. O ja, Zodiac van David Fincher mag ook niet ontbreken. Superman en Spiderman werken trwns ook allebei voor een krant ;. Thanks for compiling this Ernst-Jan, excellent resource. Deadline is, I think, an underrated series about a NY Post style tabloid.

I wrote the script of the only Portuguese film about contemporary TV journalism. Tons of thank you for top 24, but could you please add some new films too.. After ? Also some from Asian countries.. A must see. No Absence of Malice with Paul Newman!? That should be required viewing for journo majors. Little late to the party, but perhaps The Ides of March would be a good addition to this already excellent list. A movie about the dirty tricks played with the media during a presidential campaign, starring Ryan Gosling, Philip Seymour Hoffman and George Clooney.

Especially the first season focus on the roll of the media in covering polititcs and it paints an overly exaggerated picture of how politics work. You should add the recent release Spotlight to the list. Lou Grant would be a welcome addition to the TV show list. Thanks for doing the work on this great list. Dishonesty in politics is nothing new; but the manner in which some politicians now lie, and the havoc they may wreak by doing so, are worrying. Surely he did not mean that literally? I give him the most valuable player award. I give her, too, by the way, Hillary Clinton.

He hates them. He was the founder. Mr Trump appears not to care whether his words bear any relation to reality, so long as they fire up voters. And he is not the only prominent practitioner of post-truth politics. Hang on, though.

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Perhaps, some argue, British Remainers should accept the vote to leave the EU as an expression of justified grievance and an urge to take back control—not unlike the decision by many Americans to support Mr Trump. There may have been some fibbing involved but it is hardly as though politics has ever been synonymous with truthfulness. Lyndon Johnson misinformed the American people about the Gulf of Tonkin incident, thus getting the country into Vietnam.

But that would be complacent. There is a strong case that, in America and elsewhere, there is a shift towards a politics in which feelings trump facts more freely and with less resistance than used to be the case. Helped by new technology, a deluge of facts and a public much less given to trust than once it was, some politicians are getting away with a new depth and pervasiveness of falsehood.

Political lies used to imply that there was a truth—one that had to be prevented from coming out. Evidence, consistency and scholarship had political power.

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Today a growing number of politicians and pundits simply no longer care. And when the distance between what feels true and what the facts say grows too great, it can always be bridged with a handy conspiracy theory. This way of thinking is not new. When George W. Post-truth politics is advancing in many parts of the world. In Turkey the protests at Gezi Park in and a recent attempted coup have given rise to all kinds of conspiracy theories, some touted by government officials: the first was financed by Lufthansa, a German airline to stop Turkey from building a new airport which would divert flights from Germany , the second was orchestrated by the CIA.

Then there is Russia, arguably the country apart from North Korea that has moved furthest past truth, both in its foreign policy and internal politics. Such dezinformatsiya may seem like a mere reversion to Soviet form. You can just say anything. Create realities. In such creation it helps to keep in mind—as Mr Putin surely does—that humans do not naturally seek truth.

In fact, as plenty of research shows, they tend to avoid it. People instinctively accept information to which they are exposed and must work actively to resist believing falsehoods; they tend to think that familiar information is true; and they cherry-pick data to support their existing views. Subjects in both groups were then asked how strongly they agreed with the misperception that Saddam Hussein had such weapons immediately before the war, but was able to hide or destroy them before American forces arrived. As might be expected, liberals who had seen the correction were more likely to disagree than liberals who had not seen the correction.

But conservatives who had seen the correction were even more convinced that Iraq had weapons of mass destruction. Further studies are needed, Mr Nyhan and Mr Reifler say, to see whether conservatives are indeed more prone to the backfire effect. Given such biases, it is somewhat surprising that people can ever agree on facts, particularly in politics.

But many societies have developed institutions which allow some level of consensus over what is true: schools, science, the legal system, the media. This truth-producing infrastructure, though, is never close to perfect: it can establish as truth things for which there is little or no evidence; it is constantly prey to abuse by those to whom it grants privileges; and, crucially, it is slow to build but may be quick to break.

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Post-truth politics is made possible by two threats to this public sphere: a loss of trust in institutions that support its infrastructure and deep changes in the way knowledge of the world reaches the public. Take trust first. This loss of trust has many roots. In some areas—dietary advice, for example—experts seem to contradict each other more than they used to; governments get things spectacularly wrong, as with their assurances about the wisdom of invading Iraq, trusting in the world financial system and setting up the euro. But it would be a mistake to see the erosion of trust simply as a response to the travails of the world.

In some places trust in institutions has been systematically undermined. In the s many conservatives became alarmed by the likely economic cost of a serious effort to reduce carbon emissions. Some of the less scrupulous decided to cast doubt on the need for a climate policy by stressing to the point of distortion uncertainties in the underlying science. Therefore, you need to continue to make the lack of scientific certainty a primary issue in the debate. Some conservative politicians, talk-show hosts and websites, have since included the scientific establishment in their list of institutions to bash, alongside the government itself, the courts of activist judges and the mainstream media.

Some are now having second thoughts. Yet gatekeepers would be in much less trouble without the second big factor in post-truth politics: the internet and the services it has spawned. Nearly two-thirds of adults in America now get news on social media and a fifth do so often, according to a recent survey by the Pew Research Centre, a polling outfit; the numbers continue to grow fast. Content no longer comes in fixed formats and in bundles, such as articles in a newspaper, that help establish provenance and set expectations; it can take any shape—a video, a chart, an animation.

Data about the spread of a meme has become more important than whether it is based on facts. The mechanisms of these new media are only now beginning to be understood.

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The rise of cable and satellite television channels in the s and s made it possible to serve news tailored to specific types of consumer; the internet makes it much easier.