Manual In Blood Lust (Macedo Ink Series Book 4)

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In the small town of Latonia, Tennessee, just 20 miles from Tullahoma, a series of In the small town of Latonia, Tennessee, just 20 miles from Tullahoma, a series of murders begin to take place. They have similar characteristics to a number of murders that have all taken place within a mile radius of Nashville When the local vampire colony asks a favor of Knight, sheriff of Portland's magical government, When the local vampire colony asks a favor of Knight, sheriff of Portland's magical government, he must team up with his vampiric counterpart to solve a series of murders rooted in forbidden magic.

What they find could alter the future Blood Moon , words is the story about the last war waged between mankind. When a viral war sent man into space for survival, and the only survivors left on earth were the lesser islands in the South Pacific Ocean, The Blood Moon. Legend has it that whenever the Moon looms and hovers over the Legend has it that whenever the Moon looms and hovers over the horizon stained in crimson, innocent victims will reap their vengeance from those whose cruelty resulted in their untimely demise.

It is the night that lost Blood Moons. They say no good deed ever goes unpunished, a sentiment Dara understands fully now that But how could Dara INDI Publishing. Macedo Ink Series , 1. Contemporary mottled calf, gold-tooled spine and binding edges. Recollections of Poland.

Memoires du Chevalier de Beaujeu. Contenant ses divers voyages, tant en Pologne, en Allemagne, qu'en Hongrie Amsterdam, heirs of Antoine Schelte, Important work on landscape gardening. Nuremberg, Frauenholzischen Kunsthandlung, With an engraved folding plan, and 24 engraved plates, including 8 hand-coloured. Early 19th-century green half morocco. Epitome sive breviarium totius praecedentis historiae Anglorum Antwerp, Joannes de Grave Gravius , With De Grave's woodcut armorial device on title-page repeated on the otherwise blank final leaf and 30 woodcut decorated initials.

Contemporary blind-tooled calf, each board with a double border made from a roll with 4 heads in profile, not labelled but showing Martin Luther, Philipp Melanchthon, Desiderius Erasmus and apparently the Holy Roman Emperor Charles V rather than the more common Jan Hus, each in an oval wreath and separated by foliage bilaterally symmetrical both vertically and horizontally. With a ca. On the defence of Amsterdam. Amsterdam in staat van beleg! The Hague, Martinus Nijhoff, With 2 letterpress folding tables and 2 folding lithographed maps. Original publisher's printed paper wrappers.

Oblong handbook of fortification design. Oblong 8vo 11 x 17 cm. With engraved frontispiece and 32 engraved plates. Contemporary calf. First edition of Belon's account of his travels in the Ottoman Empire, with a folding map of Mount Sinai. With Cavellat's woodcut device on title-page and the 2 part-titles, Corrozet's woodcut device on last page, 36 woodcut illustrations in the text 4 hand-coloured , numerous decorated initials 1 hand-coloured , and an extra added folding woodcut map 31 x Diplomatic and commercial relations between Venice and Persia.

La repubblica di Venezia e la Persia. Torino, G. Paravia e comp. With 5 photographic plates. Original publisher's printed brown paper wrappers. Eenige stukken concerneerende criminele procedures in cas d'appel voor het hof geventileerd tusschen den bailluw van Rhijnland contra Pieter Oostenryk in materie van manslag met de ms. Manuscript, in Dutch, on laid paper, with 2 embossed seals.

Later blue paper wrappers. Atlas volume with 56 lithographed plates 7 partly hand-coloured.

Contemporary half cloth, with the original publisher's printed paper wrappers bound in. Dried samples of 23 varieties of mushroom collected in France A mushroom herbarium comprising samples of 23 varieties of mushroom, each mounted on paper, with manuscript notes and an occasional pencil drawing, the two earliest mounted and written on a pre-printed form. Loosely inserted in a contemporary half green cloth portfolio. Essays on Italian plants and zoophytes.

Amoenitates Italicae sistentes opuscula ad rem herbariam et zoologiam Italiae spectantia. Bologna, Annesio Nobili, With 6 engraved plates. Contemporary blue paper wrappers. A voice from the bush in Australia: shewing its present state, advantages, and capabilities, in a series of letters from an Irish settler and others in New South Wales. With appendices With wood-engraved frontispiece, nearly full-page wood-engraved illustration on page 25 and a letterpress folding table.

Modern marbled wrappers. Catherine the Great's enlightened ideas on education, edited by Diderot. Amsterdam, Marc-Michel Rey, With 2 engraved allegorical frontispieces, engraved allegorical plate, 3 large folding engraved plans, 4 folding tables, and 64 large engraved head-pieces, tail-pieces and allegorical engravings in text, including the coat of arms, medal and seal of Catherine the Great of Russia. Contemporary tree calf, rebacked with gold-tooled spine. With 24 folding engraved plates, some coloured by hand, and several letterpress folding tables.

Contemporary half sheepskin. Well-illustrated historical and regional study of Dutch gardens. Oude Hollandsche tuinen Met medewerking van Marg. Kossmann en een voorwoord van Prof. The Hague, M. Nijhoff, Text 8vo and atlas obling folio volume. With the title-pages printed in green and black, 3 plates and 4 illustrations in text; atlas with plates showing illustrations.

Original publisher's decorated green cloth. La pace tra la virtu', la gloria, ed amore. Componimento drammatico da cantarsi in occasione delle faustissime nozze del nobil uomo signor Silvestro Michele Arnolfini con la nobil donzella signora Beatrice Luisa Bernardini dedicato alla medesima. Lucca, Giuseppe Rocchi, Small 4to 17 x 14 cm. Contemporary red velvet, embroidered with silver and gold thread and white and yellow silk each board with an emblematic image: a crowned mirror[?

Nederlandsche kleederdragten, naar de natuur geteekend. Amsterdam, Frans Buffa and sons, [] Large folio 58 x With 56 numbered tinted lithographed plates in fine publisher's hand colouring and highlighted with gum arabic, each group of 4 plates preceded by one leaf of explanatory letterpress texts in Dutch and French. Near contemporary mottled half sheepskin, gold-tooled spine. Applausi poetici alla vera rigenerazione del Piemonte operata nel Dalla divina provvidenza col celebre valore delle armi Austro-Russe.

With woodcut arms on first leaf. Printed in gold throughout. Gold-brocade decorated paper wrappers, showing an embossed floral pattern with hunters, a wild boar, deer and dogs scattered through it, in gold, orange, yellow, lavendar and blue. In modern clamshell box. Very rare sermons by a Polish dominican. O exorbitancyach, kazania dwoie-przeciwko niewiernym, heretykom, odszczepiencom, y nowym politykom, wierze s.

Katholickiey Rzymskiey, y duchowienstwu nieprzyiaciolom. Krakow, Andrzeia Piotrkowszyka, Nova et accuratissima totius terrarum orbis tabula. Each continent map includes 19 insets relevant to the regions shown: 9 city views at the head and 10 pair of costume figures flanking the map. The map of the Americas also has an inset map of Greenland. All 5 maps hand-coloured probably by a later hand. Each map in a passe-partout and framed, under glass, the 4 continent maps in a uniform style.

On Gothic and Arabic manuscripts in Spanish libraries. Madrid, Imprenta Real, With some lines printed in Arabic type. Later brown half morocco, gold-tooled spine. Travelling to Madrid. Reis naar Madrid, gedaan in de maanden augustus en september ; behelzende een staatkundig-wijsgeerig overzigt van de zeden en gebruiken der Spanjaarden.

Amsterdam, J. With title-page with engraved vignette. Contemporary boards, uncut. Splendidly decorated wall map of Delft, coloured by a contemporary hand. Amsterdam, Pieter Smith, [? Contemporary hand-coloured, engraved map of Delft, with Delft coats of arms at top centre; cartouche at top left with the Dutch lion in a fishing boat, and coats of arms of Delft, Schiedam, Enkhuizen, Brielle and Rotterdam; cartouche at top right with an inset map of Delfland and the coats of arms of Delfland and the water authorities, and views of the palaces of Honselerdijk and Rijswijk; a line poem in praise of the map by Constantijn Huygens and a key at bottom right; compass and scale of Delftland or Rijnland rods at bottom left; and the names of the publisher and engraver at bottom left and left of centre, numerous figures, fruits and vegetables, real and mythical animals, etc.

Mounted on linen and framed. Natuurkundige naspeuringen op proef- en waerneemingen gegrond. Groey der planten, The Hague, Johannes de Cros, With an engraved frontispiece, an engraved ornament on the title-page and 16 engraved plates including 2 folding. Contemporary red half roan.

  1. Table of contents.
  2. His to Master and Enjoy [The Billionaires and Their Playgrounds 2] (Siren Publishing Everlasting Classic)?
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An extensive album amicorum of a German student from Stendal, with over illustrations. Manuscript on paper, with most entries in Latin, and mottos also in Greek, French and German. Further with 49 coloured gouaches highlighted with gold showing coats of arms, costumes and various scenes some cut out and mounted on the album's leaves , a pen and ink wash drawing, 23 full-page engraved portraits, 18 full-page engraved views, an engraved image of Mercury, and 12 full-page engraved emblems.

Modern gold-tooled calf, gold-tooled board edges, new endpapers. Description of plants in Leiden University's botanical garden. Historia plantarum, quae in horto academico Lugduni-Batavorum crescunt cum earum charecteribus[! London [printed in the Netherlands], "sumptibus Societatis" [the Royal Society? Large 12mo. Seven revised ornithological offprints by Napoleon's nephew. Paris, Mallet-Bachelier, Modern half morocco. Including: Coup d'oeil sur l'ordre des pigeons.

Paris, Ornithologie fossile servant d'introduction au tableau comparatif des ineptes et des autruches. Former King of Naples and Spain in exile in America. Pointe Breeze, New Jersey, 27 September, Manuscript letter in French, in brown ink on wove paper 3 sides of folded leaf , signed and dated. Souvenir album showing the Holy Land, Egypt, Athens and Venice in the second half of the 19th century. Oblong album Most of the photographs are numbered and captioned in French, and sometimes also in English, on the negative. Contemporary brown half morocco. Rare pamphlet on the capitulation of Bonn.

With an arabesque decoration on title-page plus 1 repeat as a tailpiece and a woodcut gothic decorated initial. Monumental volume flora, with coloured plates. With coloured plates. All instalments in their original wrappers and stored in three modern grey cloth clamshell boxes. Medical handbook compiled for Maurits of Nassau, Prince of Orange. Vorstelick geschenk, dat is, een medecynboeck, inhoudende vele geproefde ende goet gevonden medecijnstucken, Amsterdam, Johannes van Ravesteyn, Applausus virico Philippo Laurentio de Daun principi Thianensi aurei velleris equiti Belgii gubernatori ac languentis patriae restauratori.

Brussels, Eugenius Henricus Fricx, With engraved double-page armorial title-page, 29 engraved circular emblems.


Letter by a member of the Dutch noble family Boreel. Attractive hand-coloured concertina-fold panorama of Utrecht, 5. Panorama van Utrecht vervaardigd in het etablissement van P. Utrecht, widow of Herfkens and son, Oblong concertina-fold book 9 x With 32 wood-engraved views, each measuring 7. Contemporary gold-blocked red cloth.

The first German edition of Boswell's Account of Corsica with a folding map. Leipzig, Caspar Fritsch, With an engraved folding map of Corsica 29 x 44 cm. Contemporary paper-covered boards. Le relationi universali. General title-page and 3 part-titles, all 4 with the same woodcut device sun in scrollwork cartouche , 4 folding engraved maps ca. Contemporary limp sheepskin parchment. Fine untrimmed copy of a pilot guide, with coloured maps and aquatint profiles. The little sea torch: or, true guide for coasting pilots.

London, J. Debrett for the "author" [Serres], G. Nicol, et al. Rickaby], Large folio 47 x 30 cm. With 20 numbered aquatint plates containing coastal profiles, and 12 partly numbered engraved plates containing 24 maps of port cities, harbours, islands and the Strait of Gibraltar. All coastal profiles and maps beautifully and subtly coloured by a contemporary hand. Contemporary boards. The Dutch translation of the first French book on Siam.

Amsterdam, Abraham Wolfgang, With woodcut printer's device on title, and 8 half-page engraved illustrations in text. Modern half vellum. Grenoble, for the author and "les principaux libraires de la ville", by F. Allier, []. With 72 lithographed plates by C. Contemporary half sheepskin, gold-tooled spine. Royal 8vo 27 x With 72 mounted lithographed plates by C. Contemporary half calf, with gold-tooled spine. Well-illustrated study of the coins of ancient France, large paper copy.

Recherches curieuses des monoyes de France depuis le commencement de la monarchie. Paris, Edme Martin, Large folio 42 x With title-page with engraved allegorical illustration by N.

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Bonnart including a minting press , and numerous engravings in text incl. Contemporary mottled calf ca. Collection of 42 engraved portraits and historical scenes plus one repeat , ca. In several different elaborate engraved borders. The botany, geology and geography of Madeira, edited and illustrated by a pioneering female naturalist and annotated by Cuvier and Von Humboldt. Paris, F. Levrault, With 22 lithographed plates 3 double-page and 4 hand-coloured , most of them drawn and lithographed by Sarah Bowdich.

Modern half morocco; the text volume with the original publisher's wrappers bound in. On the natural history and geography of Spain and Spanish America. Paris, L. Contemporary marbled calf, gold-tooled spine Full description. Important treatise on the legal and political status of the Dutch Republic. Commentariolus de statu confoederatarum provinciarum Belgii. Accessit de eadem materia Pauli Merulae Diatriba. Nec non Decretum Ordd. Contemporary calf, gold-tooled spine, boards and board edges, gilt edges.

Spanish voyages to Tahiti and other Society Islands. Berlin, Friedrich Maurer, With an engraved illustration in text and a folding engraved map. Contemporary paper-covered boards with spine label, painted over in gold on the spine and blue on the sides. Manuscript document in Portuguese.

Political pamphlet with remarks on the Dutch colonies in Brazil. Extract eens briefs uyt Vlissingen, inhoudende een roef-praatje, t'scheep voor-gevallen, tusschen Dort en Ter Vere. The Hague, D. Verdussen], With a woodcut device on title-page. Alle de wercken, soo spelen, gedichten, brieven en kluchten. Amsterdam, Joost Hartgersz. Grand-Aigle folio 56 x An enormous engraved map of Paris in 20 numbered sheets plus a key map, at a scale of about , each segment measuring 55 x 84 cm plate size The key map is slightly larger than the segments and folds out at the head. Bound as an atlas but with segments 18 and 19, containing the cartouche, assembled to make a long fold-out in contemporary gold-tooled red morocco, each board with as centrepiece the Paris coat of arms a ship with chief a field of fleurs-de-lis.

Proposal for a system of fortresses, by the "Belgian Vauban". Brussels, C. Muquardt colophon: printed in Brussels by E. Guyot , With a lithographed folding map of the Franco-German border. Contemporary half cloth. Appealing wall map of the Slaperdijk in the Gelderse Vallei. Caarte vanden Slaperdijk streckende vande Stichtse bergen tot aan de hoogte van Gelderland.

Engraved wall map printed on 8 sheets measuring: 76 x cm as assembled by Caspar Specht after Justus van Broeckhuijsen scale ca. Framed x cm. Pomona Britannica or a collection of the most esteemed fruits at present cultivated in Great Britain. Large 4to 37 x 29 cm. Contemporary brown half sheepskin; recased. First edition of the official pharmacopoeia of Brussels. Pharmacopoeia Bruxellensis: jussu amplissimi senatus edita. Brussels, Jan Mommaert II, With engraved title-page by Cornelius Galle the elder after Anthonis Sallaert.

Second edition of the Brussels pharmacopoeia, this copy a gift from the apothecary of King Philip V of Spain. Pharmacopoea auctior, et correctior, jussu nobilissimi, amplissimique senatus Bruxellensis edita Including : Taxa, seu pretium medicamentorum in hac pharmacopoea contentorum. Brussels, Pierre Hacquebaud, Contemporary calf; rebacked with part of the original gold-tooled backstrip laid down. Fourth edition of the Brussels pharmacopoeia.

Editio altera. Brussels, Widow Foppens, approbation: With two engraved tables identifying alchemical symbols and measurements. Contemporary calf, gold-tooled spine. Rare second edition in Dutch of the Brussels pharmacopoeia. Brusselsche apotheek, door het gezag van de magistraat bevestigd, en naar de tweede Latynsche druk in het Nederduitsch vertaalt.

Amsterdam, Johannes van Seggeren, With an engraved title-page showing an apothecary shop, the preparation of medicines and a botanical garden, and 2 folding engravings identifying alchemical symbols and measurements. Contemporary wrappers, rebacked. Enlarged issue of a series of views of Danish buildings, gardens and cities. Iste tome af Siaelland. Copenhagen, Johan Jacob Bruun, [-ca.

Random books from neosofia's library

Oblong folio Contemporary Danish mottled sheepskin, richly gold-tooled spine. Omnium pene Europae, Asiae, Aphricae atque Americae gentium habitus. Habits de diverses nations de l[']Europe, Asie, Afrique et Ameriqe[! Engraved print series with title-page, a leaf with a line verse about clothing, a leaf with 2 portraitsm, and 61 costume plates numbered plus Exhibemus hoc libello Romani Pontificis, Episcoporum, Monachorum, aliorumque sacerdotum, quorum aliquid scire potuimus, imagines.

Engraved print series with title-page and 18 numbered costume plates. Small oblong 1mo Reizen over Moskovie, door Persie en Indie: verrykt met driehondert konstplaten, vertoonende de beroemste lantschappen en steden, ook de byzondere dragten, beesten, gewassen en platen, die daer gevonden worden Amsterdam, Willem and David Goeree for the author, Folio in 4s 40 x With full-page engraved frontispiece by Bernard Picart, title-page printed in red and black with woodcut vignette, full-page engraved author's portrait, 2 folding engraved maps, engraved plates 13 folding, 55 double-page, 41 full-page and 36 engraved illustrations in text.

Contemporary gold-tooled mottled calf, gilt edges. Rebacked, with the original backstrip laid down. First edition of a sumptuous account of a voyage to Russia, Persia and the East Indies, with large folding views of Moscow and Isfahan x42 cm. Folio 40x With engraved frontispiece by Bernard Picart, engraved author's portrait, 2 folding engraved maps, engraved plates 13 folding, 55 double-page, 41 full-page and 36 engraved illustrations in text. Brydone's travels through Sicily and Malta with engraved folding map containing both islands. Voyage en Sicile et a Malthe.

Amsterdam, D. Changuion, With folding engraved map by A. Krevelt, and an engraved plate. Contemporary half calf, sprinkled paper sides. Dutch revision of the first Russian emblem book. BURG, Hermanus van den. Haarlem, Johannes Marshoorn, With engraved frontispiece by J. Mulder and numbered circular emblems on full-page engravings in text, the facing pages to the left with captions in Dutch, short proverbial phrases in Latin, French and German, and two-line verses in Dutch by Van den Burg.

Travels through Switzerland, Italy and the Netherlands, by celebrated clergyman. Behelsende veele aanmerkenswaardige, curieuse, en tot noch toe ongehoorde saken, welke in geen Reys-beschrijvingen aangetekend zijn. Utrecht, Johannes Ribbius, Modern boards. Remarkable Spanish theoretical treatise on painting and the liberal arts in Spain. Discursos apologeticos, en que se defiende la ingenvidad del arte de la pintura; que es liberal, de todos derechos, no inferior a las sie te que comunmente te se reciben.

Madrid, Luis Sanchez, With an engraved architectural title-page by Juan Schorquens. Early 19th-century Spanish gold-tooled, sheepskin root or maroquin pattern. Escrito en quatro libros, Antwerp, Martinus Nutius I, colophon 25 May Small folio 27 x With the woodcut arms of Charles V on title-page, a full-page woodcut triumphal arch erected in Ghent for Philip's entry, Nutius's woodcut device at the end, and dozens of woodcut decorated initials 4 series. Near contemporary limp vellum, with 6 fragments of a 16th-century manuscript reinforcing the spine of the bookblock, blind- and later gold-tooled spine.

Rare Italian translation of an originally Spanish chivalric novel. Historia del nobile, et valoroso Cavalier. El nuevo Robinson. Historia moral reducida a dialogos para instruccion y entretenimiento de ninos y jovenes de ambos sexos. Traducaida al Castellano con varias correcciones por D.

Tomas de Iriarte. Paris, Garnier Hermanos, With wood-engraved frontispiece, 13 full-page wood-engraved plates. Original richly blind-stamped and coloured cloth, gilt edges. With the magnificent engraving of the mosaic floor map of the world in 2 hemispheres, incorporating Tasman's discoveries not otherwise published for decades.

Bouw schilder en beeldhouwkonst, van het stadhuis te Amsteldam, vertoont in CIX figuuren:. Covens, C. Mortier and J. Covens junior, [ca. With full-page engraved portrait of Jacob van Campen, engraved plates numbered I-CIX here on full-page, double-page and folding leaves described under these numbers in the letterpress text. Contemporary half calf. With a photographical frontispiece portrait in the text volume and lithographed plates, including coloured by hand. Paris, Paindebled, Drawings volumes large folio 48 x 33 cm and text volume folio Uniformly bound in blue half morocco.

With 42 original watercolour drawings of orchids. One of 12 sets produced. Royal folio atlas volume: 48 x 31 cm and folio text volume: With 42 original watercolour drawings, highlighted with gum arabic, each signed by the author. They are numbered , with a "duplicate" no. The photogravure text volume with calligraphic wrapper-title and dedication, and text reproduced from manuscript mostly from the author's autograph. The atlas volume with the watercolours mounted on heavy paper in the original green cloth portfolio.

Atlas with 52 fine original watercolour drawings of orchids. With a calligraphed title-page, 52 finely drawn watercolours on 51 leaves of orchid varieties, finished with arabic gum, and 1 leaf with mounted photographic portrait of the author. Burgundy half morocco. Brief descriptions of the flora of France. Synopsis plantarum in flora Gallica descriptarum. Paris, H. Aghasse, Contemporary accounts of two power struggles, in Italy and in the Low Countries.

De rebus nuper in Italia gestis [in the running heads: "De bello Mediolanensi"] libro octo Colophon: Antwerp, Maarten de Keyser , Geldrogallica conjuratio in totius Belgicae clarissimam civitatem Antverpiam, duce Martino Rosheymio, Augsburg, Heinrich Steiner, Small 8vo 15 x 10 cm. Contemporary vellum wrappers, with 2 fragments of the March and April calendar leaf in red and black of a manuscript Missale romanum ca. Offensive defence by the "organizer of victory". Paris, widow of Courcier, Large 4to 25 x 20 cm. Why, one might ask, should Sidney's baroque syntax be made simpler and his archaic diction modernized?

Because their complexity and unfamiliarity, after the lapse of some years, has made the work all but unreadable, except by a small and steadily shrinking cohort of scholars. The choice is either pious oblivion or the kind of creative updating we routinely welcome in contemporary productions of Shakespeare. Ross and Davis want to give a new generation of readers access to a literary achievement of surpassing intelligence and beauty. By the sheer quality of its achievement, it created the illusion of separating traditional rhetoric from literature or polite letters.

Emerging out of the small coterie around Sidney's sister Mary, the countess of Pembroke, Sidney's oeuvre reached Shakespeare, who took to new heights the oratory exhibited by the Arcadia's characters in their speeches, debates, and poetry. Sidney's masterpiecerichly deserves the renewed attention of everyone interested in the history of English moral philosophy and the language arts. But statesmanship is exactly what we find in Sidney's Arcadia. It is one reason, along with Sidney's use of humor and suspense, that this compelling story was the most popular work of English narrative prose for over two hundred years.

Modern-day public servants might benefit as Shakespeare did in borrowing widely from Arcadia's lessons on virtue, popular rebellion and the perils of misrule. Daniels, Jr. In it we find the name Pamela, Sidney's invention. Shakespeare read every word. Not himself in the corridors of power as Sidney was, Shakespeare borrowed the way Sidney's prose and poetry expresses strong emotion controlled by thought. Philoclea's bewilderment at her love for Pyrocles becomes Juliet's performance when Romeo appears beneath her balcony.

Sidney's Renaissance romance also offers a surprisingly astute analysis of statesmanship that prefigures Shakespeare's history plays. When Basilius misinterprets an oracle and retreats to his country house, he pursues a cross-dressed Amazon whom his wife also desires. Musidorus and Pyrocles in disguise woo the royal princess Pamela and Philoclea by recounting their attempts to bring justice and stability to foreign countries. The king's envious sister-in-law stirs up dissensions and adds to the misery of her love-sick son Amphialus.

Sidney himself was a courtier and close observer of Queen Elizabeth I. His father was three times governor of Ireland. Readers will find this fable of power, erotic passion, and civic unrest both entertaining and timely. In Portuguese and English. Clara B. Jones in I am not a silent poet , 30 Jan. Ana Cristina Cesar has posthumously become one of Brazil's best known avant-garde poets. After her suicide in , her innovative, mythic, and dreamlike poetry has greatly influenced subsequent generations of writers. At Your Feet was originally published as a poetic sequence and later became part of a longer hybrid work— sometimes prose, sometimes verse—documenting the life and mind of a forcefully active literary woman.

Cesar, who also worked internationally as a journalist and translator, often found inspiration in the writings of other poets, among them Emily Dickinson, Armando Freitas Filho, and Gertrude Stein. At Your Feet includes both the English translation and original Portuguese. Katrina Dodson b. Brenda Hillman b. Hillman serves as the Filippi Professor of Poetry at St. Mary's College of California. She is a mother, grandmother and great-grandmother, and currently lives in Princeton, New Jersey. His attitudes are leavened by wit, and his insights are never mundane.

Attitudes includes essays, poems, and a novella, Academy Awards. All are published here for the first time. Ross Winterowd is the Bruce R. He has been leading writing workshops for seniors in Huntington Beach, California, since Augmented Reality: Innovative Perspectives across Art, Industry, and Academia offers a wide-ranging exploration of the implications, challenges, and promises of augmented reality. Traditionally only covered from a technical perspective, augmented reality has become an increasingly important area of cultural inquiry in humanities scholarship and popular media outlets.

This collection attempts to cross-pollinate the discourse, creating a multidisciplinary exchange among leading researchers and professionals who each advance different ways of understanding current and future forms of augmented reality. Another underlying mission is to bring critical reflection and artistic ingenuity into conversation with design thinking and software development. To that end, the collection features a mix of essays from humanities scholars, artworks by pathbreaking artists, as well as interviews with software developers and industry consultants.

Among the first of its kind, the book also incorporates augmented reality into its own design by placing relevant digital content within the printed page using Aurasma. The interviews and the presentation of artworks provide a nice counterpoint to the scholarly articles. The interviews include important figures from the commercial world of AR e.

The art selected includes some of the best known of the admittedly nascent field of AR art, including the work of Tamiko Thiel and B. In sum, this volume does an excellent job of enlarging the space of discourse for Augmented Reality, illustrating the contribution that humanistic and artistic approaches can make to assessing the significance of a new media technology.

I would definitely consider using this collection in various graduate or upper-level undergraduate classes that we teach here at Georgia Tech. Weakland, and Jay Wright. His forthcoming book, Actionable Media Oxford UP, , theorizes a new wave of digital communication emerging in the wake of ubiquitous computing.

Part 2: Interviews Interview 1: Sidney I. Ulmer's fourth book featuring the EmerAgency, an online virtual consultancy for the digital age. This time his point of departure is Paul Virilio's Generalized Accident from which he develops and theorizes the new concepts of Flash Reason, and specifically Avatar, which serves as the site for electrate identity formation in the twenty-first century. I have taught Ulmer's work on electracy for years, and his theoretical sophistication as well as the practical ambition and applicability of his work never ceases to amaze me.

Ulmer advances a ratio: "Avatar is to electracy what 'self' is to literacy, or 'spirit' to orality. Their own wisdom. After all, he explains: "Concept avatar must be not only understood, but undergone. Gregory L. Preface 1. Prudence 2. Concept 3. Joke 4. Descent 5. Moment 6. Memory 7. Measure 8. Enjoyment 9. Letter Frog Hegemony Counsel In her early career, Kang Eun-Gyo marked nihilism as the departure of her poetic imagination. In response to the turmoil of the world and modern Korean history full of violence and violations of human rights, the poet struggled to build her poetry in a house of nothingness.

On lonely nights, I keep on writing down a blue address. Kneeling, I keep on writing. Putting dawn on my back to send it to sleep, I keep on writing. I mail it in an afternoon post office. Really, there are so many windows in the post office. Bent births pop in and out, fall over. Bent corpses pop in and out, fall over Pages of writing paper are screaming. Screaming to open the bodies of bent addresses. I also scream and scream. Scream and scream, again and again. I scream as I mail off my heart. I scream as I become a window. I soar up. Flapping, flapping. Framed by historic developments—from the Open Admissions movement of the s and s to the attacks on remediation that intensified in the s and beyond— Basic Writing traces the arc of these large social and cultural forces as they have shaped and reshaped the field.

George Otte and Rebecca Williams Mlynarczyk balance fidelity to the past with present relevance, local concerns with presumptively global knowledge, personal judgment with apparent objectivity. Basic Writing circles back on the same general story, looking for different themes or seeing the same themes from different perspectives. What emerges is a gestalt of Basic Writing that will give readers interested in its history, self-definition, pedagogy, or research a sense of the important trends and patterns. He served as coeditor of the Journal of Basic Writing from to She has served as coeditor of the Journal of Basic Writing since This collection of flash nonfiction chronicles the experiences of international students as they leave home, cross borders, and begin their studies in the United States.

Sometimes humorous, often profound, their writings illustrate the peculiar process of becoming international. All of the authors in this book are international students. This collection aims to not only illuminate their experiences but also celebrate the distinct beauty of writing produced by students learning a second language.

A timely mediation on arriving in America, Becoming International: Musings on Studying Abroad in America is a perfect companion for those planning to study abroad or anyone interested in creating international spaces on college campuses. Additionally, they inform and connect us, because, not in spite, of the unfamiliarities in their experiences from our own.

And where there are disparities, they have created sites for cross-cultural learning, compassion, and acknowledgment of our own privileges. Individual essays in this book have been reprinted with permission of the respective copyright owners. Bookstores: Order by fax, mail, or phone. The Best of the Independent Rhetoric and Composition Journals represents the result of a nationwide conversation—beginning with journal editors, but expanding to teachers, scholars and workers across the discipline of Rhetoric and Composition—to select essays that showcase the innovative and transformative work now being published in the field's independent journals.

Representing both print and digital journals in the field, the essays featured here explore issues ranging from classroom practice to writing in global and digital contexts, from writing workshops to community activism. Together, the essays provide readers with a rich understanding of the present and future direction of the field.

Mueller Kairos , Richard H. Over the past ten years, he has directed New City Community Press newcitypress. His work focuses on the intersections of protest and media, technology and transnationalism, identity and material rhetoric, and the ways activists exploit, expand, resist, and utilize these intersections to their advantage. Her research interests include visual rhetoric, the rhetoric of branding, identity, user experience design, consumer behavior and social influence. Beverly J. Her scholarly interests focus on literacy in African American community spaces and in composition theory and pedagogy.

Stephanie Ceraso received her PhD in English from the University of Pittsburgh, specializing in rhetoric and composition, pedagogy, sound and listening, and digital media. She currently teaches at Georgetown University but will be joining the faculty at the University of Maryland, Baltimore County in Fall You can find more about her research, projects, and teaching at www. She teaches classes in college writing and digital composing and studies studies composition and literacy using qualitative methodologies and multimodal presentation formats.

Her current projects focus on strategies for teaching digital composing in a constantly-evolving literacy ecology and on the writing practices and pedagogies occurring in different spaces across college campuses. Composition Forum 2 Analogize This! Scott Garbacz, and Matt King. Shelley Reid. Steve Parks is associate professor of writing and rhetoric at Syracuse University where he teaches entry-level and advanced courses in composition theory and practice.

He established New City Community Press newcitycommunitypress. Over the past two years, he has been working with democratic activists in the Middle East and North Africa. Bailie has served as contributor, associate editor, and special issue editor for Reflections: A Journal of Writing, Service-Learning, and Community Literacy. Her research interests include visual rhetoric, the rhetoric of brand communities, identity, and user experience design.

She is currently completing a dissertation, Literacy beyond Language , on the literate practices of persons with aphasia, or language-related disability caused by stroke or other brain injury. She has taught introductory and intermediate writing, served as Assistant Director of Writing Across the Curriculum at UW-Madison, and acted as coordinator for the Madison Writing Assistance community writing program. Shaughnessy Prize from MLA. He is currently working on a project that examines the conceptual and material spaces of Asian American rhetoric.

The anthology features work by the following authors and representing these journals: Adela Licona and J. Licona and J. The Best of the Journals in Rhetoric and Composition — represents the result of a nationwide conversation—beginning with journal editors, but expanding to teachers, scholars and workers across the discipline of Rhetoric and Composition—to select essays that showcase the innovative and transformative work now being published in the field's independent journals.

The anthology features work by the following authors and representing these journals: Cori Brewster Basic Writing eJournal , Genesea M. Stone Enculturation , Matthew B. Cox and Michael J. Faris Present Tense , Aja Y. Reflections 3 Why Study Disability? Lisa Lebduska. The anthology features work by the following authors and representing these journals: Justin K.

Miller, Thomas D. Bakke and Jim A. Moeller and Erin A.

Justin K. Mitchell, and Silvia Pessoa. Olson and Madison Nancy Reddy. Beyond Argument: Essaying as a Practice of Ex Change offers an in-depth examination of how current ways of thinking about the writer-page relation in personal essays can be reconceived according to practices in the "care of the self" — an ethic by which writers such as Seneca, Montaigne, and Nietzsche lived.

This approach promises to revitalize the form and address many of the concerns expressed by essay scholars and writers regarding the lack of rigorous exploration we see in our students' personal essays — and sometimes, even, in our own. In pursuing this approach, Sarah Allen presents a version of subjectivity that enables productive debate in the essay, among essays, and beyond.

Her scholarship generally explores the ethics of the personal essay, and this work informs her teaching, as she works to discover the most useful and effective ways of assisting students in engaging with difficult, dense material and in generating complex, rigorous writings of their own.

How closely can or should writing centers and writing classrooms collaborate? Beyond Dichotomy explores how research on peer tutoring one-to-one and in small groups can inform our work with students in writing centers and other tutoring programs, as well as in writing courses and classrooms. These multi-method including rhetorical and discourse analyses and ethnographic and case-study investigations center on several course-based tutoring CBT partnerships at two universities. Rather than practice separately in the center or in the classroom, rather than seeing teacher here and tutor there and student over there, CBT asks all participants in the dynamic drama of teaching and learning to consider the many possible means of connecting synergistically.

Steven J. Hyoejin Yoon. To which I call out: "Oh, right, who exactly? The corridor is long, dog-legging at half way. I have no idea which episode, and, even though I've seen them all more than once, I can't seem to get interested in thinking about it. The low-pile carpeting is allowing me to glide effortlessly and silently over it, while not forgetting to shoot each one of the apartment doors so that the threatening notion that one of them could open at any minute and reveal. Camera Phone is a novel of cell phones and films—with some fabulous, low-cost recipes and recommendations for further reading.

Let's face it, there's more than meets the eye when you're studying film at the University of Southport. Brooke Biaz aka Graeme Harper is a fiction writer, scriptwriter, and cultural critic. He is Editor-in-Chief of the international journal, New Writing. He has been a Professor of Creative Writing at a number of universities, none of which are the University of Southport.

Available November 1, Woven throughout the book, along with a series of Parables as if excerpted from her teachings, is the legendary figure of Mary Magdalene, as painted by Giotto and re-imagined as a teacher of embodied spiritual and intellectual practice. Some canticles are lyric improvisations quick with rhyme, allusion, and wordplay. Others are meditative investigations of darkness, pleasure, cruelty, or joy. All are acts of fierce attention to language, the musical possibilities of the lyric line, and the natural world, built and unbuilt.

With Canticle of the Night Path , Jennifer Atkinson sets in motion a deeply compelling sequence of praise songs. Whether their origins are remote in time or close to hand, the objects of her praise become intricately connected as each is illuminated in turn--by electric light, by candle-light, by lightning. She models a patient attention that gives way to sudden insights and the reader is transported by the clarity and music of her forms. Understanding this important rhetorical tradition provides a strong foundation for assessing and responding to the writing of this growing group of students.

He is editor of the journal Multilingual Education and of the book series of the same name both with Springer. His research areas include Chinese English as an emerging Expanding Circle variety of English , English language teaching ELT , intercultural education, blended teaching and learning, academic writing, and Chinese studies. Such histories, particularly in the s and s divorced the field from activist politics—washing out such work in the name of disciplinary identity. Class Politics shows the importance of political mass movements in the formation of Composition Studies—particularly Civil Rights and Black Power.

Class Politics also critiques how the field appropriates these movements. Fontaine and Steve Westbrook. By illuminating a vast array of feminist contributions to the rhetorical tradition, writing theory, and classroom pedagogy, Shari J. Stenberg shows how feminist scholars have made Composition Studies a more inclusive and innovative field.

Composition Studies Through a Feminist Lens then moves feminist knowledge to the center, showing how feminist scholars have revised these stories to offer a more expansive approach to the purposes and processes of writing and rhetoric. Part one features feminist expansions of rhetoric, showcasing how feminist scholars have revised the traditional values and practices of classical rhetoric that shape contemporary ideas about argument and writing.

Part two shifts to the composition classroom, showing how feminists have revised the role of student, teacher, and researcher. Students will gain a sense of how feminist contributions have expanded possibilities for learning and writing in the composition classroom. Shari J. Stenberg is Associate Professor of English and the Composition Program Director at the University of Nebraska-Lincoln, where she teaches courses in writing, feminist rhetorics, and pedagogy.

She is the author of Professing and Pedagogy: Learning the Teaching of English and her writing on pedagogy, teacher development, and feminist theory appears in journals including College English , College Composition and Communication , Pedagogy: Critical Approaches to Teaching Literature, Language, Composition and Culture , and Composition Studies. A darkly humorous exploration of the human body and its various functions in poetic prose, Valerio Magrelli's personal chronicle of clinical experience catalogues a life history of ailments without ever being pathological.

Every sensation and malfunction is placed under the subjective microscope of the poet's eye and examined in excruciating and obsessive detail. This Gray's Anatomy of the soul leads the reader on an inside-out voyage of discovery, with many surprises on the way. One of Italy's most celebrated living poets, Valerio Magrelli has also attracted an international following.

Molino's translations of Valerio Magrelli's poetry bring to English-speaking readers some of the most astounding verse to be found in contemporary Italian letters. Here, a great deal of precious cargo has made it intact to the shores of the English-speaking world, and we are enriched by the arrival of such rich, strange, and new matter. I used to read a great many Italian poets.

Nowhere near as many in recent years—though I've seen things by a young poet that I like very much. His name is Magrelli. His poetry is a soliloquy written with a pencil and a small note-book, during the latest and most silent hours of the night. It's a poetry that looks at itself, but at the sight of its thought, vanishes. Magrelli's poems make me feel good because they are so smart. Aphoristic and quirky, they seem from another millennium. I eat them up like clusters of grapes, and when I'm done I want more.

I love their wry modesty, their strange truisms, and their beautiful succinctness. Valerio Magrelli. In the good-natured ease with which he shows off his mastery of the traditional tools of his trade, and the elegant way he lets the reader know he knows that writing is about writing, he advertises his membership in an international con-fraternity whose current English-language practitioners include Mark Strand and, especially, Paul Muldoon.

Magrelli, a scholar of French literature and an experienced translator, is obsessed by the "translation" involved in all writing, and thus by language games that reveal the complex inner life of words. Language itself is, naturally, one of this poet's prime subjects; Dante, he tells us, in a typically cheeky, inspired acrostic, is the "DNA of poETry," and the structure of his terza rima is the literary double-helix that contains "the future of the mother tongue" in the same way that the ur-poet's name magically incorporates life's ultimate building block.

I know of no other Italian poet today who writes with such a capacious grasp of the enormous, still-to-be-discovered potentialities of the great treasure-house of Italian. Here is a writer whose energy and gifts open a doorway onto an expansive future. Valerio Magrelli Rome, is the author of six poetry collections, for which he has won among other prizes the Mondello, the Viareggio, the Montale and the Premio Antonio Feltrinelli-Accademia dei Lincei: Ora serrata retinae Feltrinelli, , Nature e venature Mondadori, , Esercizi di tiptologia Mondadori, , Didascalie per la lettura di un giornale Einaudi, , and Disturbi del sistema binario Einaudi, , and Il sangue amaro Einaudi, He has published four books of prose: Nel condominio di carne Einaudi , La vicevita.

Clarissa Botsford has worked in the fields of teaching, intercultural education, editing, translating and publishing and is also a singer, violinist, and lay celebrant. Timothy Richardson takes up the rabbinic position to demonstrate how traditional Greco-Christian rhetoric might be insufficient to account for what we now mean by rhetoric as a discipline.

He argues that rhetoric as an academic discipline is different from philosophy insofar as it takes as its object the missing cause of performance, of writing, of inquiry itself inherent in the contingency of their status as events. He is Associate Professor of English at the University of Texas at Arlington, where he teaches courses in antique and contemporary rhetorics, psychoanalytic theory, media studies, and writing. The closer we get, the more vivid the confusion is.

And this is the case regarding not only our handle on consciousness, but also the one we have on identity and even on reality itself, both of which depend upon consciousness—and all three of which, ultimately, prove more malleable than we might care to admit. In Contrapuntal, an enormously ambitious and masterful debut, Christopher Kondrich has shaped this material into a work of such inventiveness, wit, wisdom, bravura, tenderness and beauty, it leaves me in awe. Or rather, it brings me back to a level of awe I had forgotten I had access to, restoring to their original size my hopes for what a book of poetry might accomplish.

I am inordinately grateful for this book. This is a book that needs to be known. He lives in Denver. The editors of Copy write : Intellectual Property in the Writing Classroom bring together stories, theories, and research that can further inform the ways in which we situate and address intellectual property issues in our writing classrooms.

The essays in the collection identify and describe a wide range of pedagogical strategies, consider theories, present research, explore approaches, and offer both cautionary tales and local and contextual successes. Essays are contributed by Timothy R. Martine Courant Rife , JD, PhD, is a professor of writing at Lansing Community College, where she teaches courses in digital authorship, technical and business writing, and first-year composition. Rife received the Frank R. The rendering of the poems is flawless, so much so that they have an extraordinary perceptual and tonal range.

But that only tells part of the story. He seems to have traveled to different countries—Spain, New Jersey, and Nevada--and recognized that all of them are foreign. Ghosts and ghostly voices rise up from the ground. Without falling into some obvious pattern or strategy, Capozzi puts words together that sound as if they have been connubial all along. What continues to astonish me long after reading this book is the fact that not a single moment in any one poem is predictable.

Michener Fellowship. Edited by Michael Donnelly, Rebecca Ingalls, Tracy Ann Morse, Joanna Castner Post, and Anne Meade Stockdell-Giesler, Critical Conversations About Plagiarism instead invites students and teachers to engage in deep, critical discussions about a complicated topic in ways that are both accessible and intellectually challenging. The essays address a range of complex, interrelated ideas, concepts, and issues: theories about knowledge creation and ideas about authorship; issues of collaboration, borrowing, remixing, and plagiarism; copyright and intellectual property; historical constructions of authorship; student and teacher identities and roles; cross-cultural perspectives on plagiarism; and the impact of new technologies.

Critical Conversations About Plagiarism makes such discussions accessible to undergraduate and graduate students, and, at the same time, it provides teachers with tools for facilitating those conversations. Michael Donnelly is Assistant Professor of English at Ball State University, where he teaches undergraduate and graduate courses in rhetoric and writing. Anne Meade Stockdell-Giesler formerly taught at Boston University and the University of Tampa and now works independently as an editor, writer, and copyeditor.

Part II. Part III. Critical Expressivism: Theory and Practice in the Composition Classroom is an ambitious attempt to re-appropriate intellectual territory that has more often been charted by its detractors than by its proponents. Indeed, as Peter Elbow observes in his contribution to this volume, "As far as I can tell, the term 'expressivist' was coined and used only by people who wanted a word for people they disapproved of and wanted to discredit.

John's University. Her research focuses on feminist theory and women's memoir; non-oedipal psychoanalytic theory and pedagogy; and queer theory and pedagogy. She earned her doctorate in composition and rhetoric at Indiana University of Pennsylvania in Cross-Border Networks in Writing Studie s coordinates mixed methods approaches to survey, interview, and case study data to study Canadian writing studies scholars.

The authors argue for networked disciplinarity, the notion that ideas arise and flow through intellectual networks that connect scholars not only to one another but to widening networks of human and nonhuman actors. Although the Canadian field is historically rooted in the themes of location and national culture, expressing a tension between Canadian independence and dependence on the US field, more recent research suggests a more hybridized North American scholarship rather than one defined in opposition to "rhetoric and composition" in the US.

In tracing identities, roles, and rituals of nationally bound considerations of how disciplinarity has been constructed through distant and close methods, this multi-scaled, multi-scopic approach examines the texture of interdependent constructions of the Canadian discipline. Lisa Fishman's Current follows The Happiness Experiment Ahsahta, further into an experience of time as theater, weather, myth, insect body, plantlife, transcription, synchrony, and figment. Her poems are pressed into argument and song by means of attention to the moment and to cross-currents of making, of music, over time.

Current enacts a poetics of the uncanny in very close touch with the actual, creating a field of vibrations in which the possibilities and limitations of vision and art collide and change.

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She is the author of three earlier books of poetry and most recently the chapbook, at the same time as scattering Albion Books. Ian Brinton. Tears in the Fence. Simon Smith's series of poetry journals is a plate of spinning, stunning experience. With his renowned poetic skill, Smith quietly and carefully shifts from the panoramic into the still frame of the inner life with its familiar daily worries. It's a delicious journey. For these writers, the ordinary becomes the exotic.

Their responses might be like those of a Martial transported from Spain to the Roman capital, with an outsider's ability to detect the fine or gross echoes of Empire amid the detritus. Simon Smith joins these ranks. He is a Paul Blackburn for the information age. Simon Smith's work continues to be an essential reminder of the possibilities of poetry in the present moment.

Day In, Day Out serves up quickly paced journal poems bursting with the details of the everyday life of travel, transience, and self-imposed displacement. Ghosted by his recently deceased father and Paul Blackburn's own journal poetry, Smith generously tells "everything I know" about time, impermanence, and the ordinary scintilla of the moment grasped as at once fleeting and overwhelmingly real.

The devil—and the divine—is in the details. Each poem is in the moment of its detail and the materiality of its experience, which only these foreign eyes passing through and about and around those distant places can realise. Its pacing is breakneck and nonchalant, hysterical and insouciant, blurred, with a pin-sharp focus. This is poetry fully alive to its particular time and place, steeped in the precision of its perceptions and the act of perceiving.

This is a book that telescopes the long-distance of the past into the talismanic immediate, articulating and attending to particularity over generality in the process. It is a book that explores and interrogates the world by plane rather than road, tips straight ahead, attuned to attention itself. Simon Smith has published five collections of poetry.

He holds a PhD from the University of Glasgow. Sunset Blvd.

The Work of José Régio

Information and Pricing ! Dear Reader is that essential intimate epistle that comes to us in an hour of great need. It offers no answers but rather reminds us of our fundamental questions. Meticulous and measured, richly working a system of resonant recurring tropes, this sequence of sonnets give us the voice of one particular sensibility—in turns tender, earnest, honest, intelligent, witty, and wry—as it reaches out across a divide it knows cannot be crossed by language and reason alone.